1983, Kam Tin Main Road's photostream

With regard to domestic issues in Hong Kong, removal of Queen's Pier lead to the beginning of a new round discussion. In my opinion, I
hold a more neutral attitude within it.
I have never been to Queen's Pier. Besides, I am not too familiar with its background but after this incident, which the pursuit of searching
for personal identity is derived and lead me to think more about what “I” am.
Through collecting the photos from others taken during the incident, I did collage by using them on multi-block of glass to build up the
imagination, from “eyes of the others” to re-chase the incomplete and scattered memory towards the Pier. As a result, the Pier recovered in our
sense. In fact, the process of remembrance makes ones hesitant, as the variety of culture in Hong Kong make people hard to clarify their identity.
The removal of the Pier drove my thoughts to chaos and blankness. Contradictory feelings like this, does it resonate any Hong Kong people’s
ideas and value?

“The Queen’s Re-encounterⅩ”, 2009
《再見皇后Ⅹ》
Transparent Adhesive BW-print
透明黏貼黑白打印
20 x 30cm

「Contradiction. 」 「矛盾。」

“The Queen’s Re-encounterⅧ”, 2009
《再見皇后Ⅷ》
Transparent Adhesive BW-print
透明黏貼黑白打印
30 x 30cm

There is no complete memory. There are only scattered parts to form the whole. 沒有完整的記憶，只有片段所組成的整體。

“The Queen’s Re-encounterⅡ”, 2009
《再見皇后Ⅱ》
Transparent Adhesive BW-print
透明黏貼黑白打印
30 x 30cm

All in head is gray. Black and white is originally hard to classify. 滿腦是灰，黑與白本就難以相分。

“The Queen’s Re-encounterⅣ”, 2009
《再見皇后Ⅳ》
Transparent Adhesive BW-print
透明黏貼黑白打印
30 x 20cm

Mountain? Ridge or grave? 是山；是岡；還是墓？