Florian Hardwig's photostream  

Courtesy of Ramiro Espinoza, for the Fancy Diacritics group. He comments: ‘Ldot is not well made! Dot should look – vertically and horizontally – in the middle.’

One of the most striking pieces by Munich signpainter Karl Blaschke (1889–1970).
Oliver Linke, member of the Lazydogs collective, has researched the work of Blaschke. You can read about his presentation at TYPO Berlin 2011 at typotalks.com and de-bug.de (both in German).

u with hook, eszett as ‘long s’ + ‘round s’ (ſs)
Note also that not all letters are connected (e.g. after ‘s’).

en.wikipedia.org/wiki/Theatinerkirche_%28Munich%29

erbaut 1663–1692 von Agostini Barelli und Enrico Zuccalli
Fassade 1765–1768 von Francois Cuvilliés d.Ä.

The characters appear to be pasted. Note the c in François, without cedilla.

From my article for Fonts In Use:
fontsinuse.com/german-stamps-by-henning-wagenbreth

For the 2011 edition of the yearly sports series, Wagenbreth designed four stamps with a colorful stripe pattern. The two promoting the Women’s World Cup of soccer were also issued in a special booklet with an adjoining layout – so-called se-tenant stamps.

Unfortunately, the spelling of the event is wrong: It should read ‘Frauen-Fußball-WM’ (or ‘Frauenfußball-WM’), not ‘Frauen Fußball WM’. This anglicised spelling is mocked as Deppenleerzeichen [‘Fool’s spaces’].
Size: 55×32mm. First day of issue: April 7, 2011. Catalogue number: Michel 2857–8