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Studio 58: Women Artists in Glasgow since World War II

The Glasgow School of Art

Curated by Dr Sarah Lowndes Mackintosh Museum, The Glasgow School of Art, 7 July - 30 September...See more

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Studio 58 : Women Artists in Glasgow since World War II

Studio 58 : Women Artists in Glasgow since World War II

The Glasgow School of Art

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Studio 58 : Women Artists in Glasgow since World War II

Studio 58 : Women Artists in Glasgow since World War II

The Glasgow School of Art

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Studio 58 : Women Artists in Glasgow since World War II

Studio 58 : Women Artists in Glasgow since World War II

The Glasgow School of Art

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CORIN SWORN, Remnant – taken from a larger installation called Providence Unknown (2011), tie-dyed silk and stick support, courtesy of the artist and Kendall Koppe.

CORIN SWORN, Remnant – taken from a larger installation called Providence Unknown (2011), tie-dyed silk and stick support, courtesy of the artist and Kendall Koppe.

The Glasgow School of Art

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NITA BEGG, Hospitalfield Study (1947), oil on board, private collection

NITA BEGG, Hospitalfield Study (1947), oil on board, private collection

The Glasgow School of Art

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Studio 58 : Women Artists in Glasgow since World War II

Studio 58 : Women Artists in Glasgow since World War II

The Glasgow School of Art

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Studio 58 : Women Artists in Glasgow since World War II

Studio 58 : Women Artists in Glasgow since World War II

The Glasgow School of Art

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ANN VANCE, Crass Class (2012) from the series Dumb Labour, acrylic on canvas, courtesy of the artist.

ANN VANCE, Crass Class (2012) from the series Dumb Labour, acrylic on canvas, courtesy of the artist.

The Glasgow School of Art

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Studio 58 : Women Artists in Glasgow since World War II

Studio 58 : Women Artists in Glasgow since World War II

The Glasgow School of Art

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NITA BEGG, Still Life (1950s), oil on board, private collection.

NITA BEGG, Still Life (1950s), oil on board, private collection.

The Glasgow School of Art

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Studio 58 : Women Artists in Glasgow since World War II

Studio 58 : Women Artists in Glasgow since World War II

The Glasgow School of Art

0

Studio 58 : Women Artists in Glasgow since World War II

Studio 58 : Women Artists in Glasgow since World War II

The Glasgow School of Art

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Studio 58 : Women Artists in Glasgow since World War II

Studio 58 : Women Artists in Glasgow since World War II

The Glasgow School of Art

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ANNE-MARIE COPESTAKE, Still 2: Sticks and fragile tape (2012), ceramic, paint, screenprint on paper, (2012), courtesy of the artist.

ANNE-MARIE COPESTAKE, Still 2: Sticks and fragile tape (2012), ceramic, paint, screenprint on paper, (2012), courtesy of the artist.

The Glasgow School of Art

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KATY WEST, The Beauties of Stowe (2012), lidded jars, parian china, courtesy of the artist.

KATY WEST, The Beauties of Stowe (2012), lidded jars, parian china, courtesy of the artist.

The Glasgow School of Art

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SHAUNA McMULLAN, She is always there (2006), porcelain, courtesy of the artist

SHAUNA McMULLAN, She is always there (2006), porcelain, courtesy of the artist

The Glasgow School of Art

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Studio 58 : Women Artists in Glasgow since World War II

Studio 58 : Women Artists in Glasgow since World War II

The Glasgow School of Art

0

Studio 58 : Women Artists in Glasgow since World War II

Studio 58 : Women Artists in Glasgow since World War II

The Glasgow School of Art

0

Studio 58 : Women Artists in Glasgow since World War II

Studio 58 : Women Artists in Glasgow since World War II

The Glasgow School of Art

0

Studio 58 : Women Artists in Glasgow since World War II

Studio 58 : Women Artists in Glasgow since World War II

The Glasgow School of Art

0

Studio 58 : Women Artists in Glasgow since World War II

Studio 58 : Women Artists in Glasgow since World War II

The Glasgow School of Art

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Studio 58 : Women Artists in Glasgow since World War II

Studio 58 : Women Artists in Glasgow since World War II

The Glasgow School of Art

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Studio 58 : Women Artists in Glasgow since World War II

Studio 58 : Women Artists in Glasgow since World War II

The Glasgow School of Art

0

Studio 58 : Women Artists in Glasgow since World War II

Studio 58 : Women Artists in Glasgow since World War II

The Glasgow School of Art

0

Studio 58 : Women Artists in Glasgow since World War II

Studio 58 : Women Artists in Glasgow since World War II

The Glasgow School of Art

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Studio 58 : Women Artists in Glasgow since World War II

Studio 58 : Women Artists in Glasgow since World War II

The Glasgow School of Art

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Studio 58 : Women Artists in Glasgow since World War II

Studio 58 : Women Artists in Glasgow since World War II

The Glasgow School of Art

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Studio 58 : Women Artists in Glasgow since World War II

Studio 58 : Women Artists in Glasgow since World War II

The Glasgow School of Art

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Studio 58 : Women Artists in Glasgow since World War II

Studio 58 : Women Artists in Glasgow since World War II

The Glasgow School of Art

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Studio 58 : Women Artists in Glasgow since World War II

Studio 58 : Women Artists in Glasgow since World War II

The Glasgow School of Art

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CHRISTINE BORLAND Set Conversation Pieces – Convolvulus (1998), bone china, hand painted porcelain pelvis: human female pelvis size and hand painted porcelain skull: human infant skull size, courtesy of the artist and Sean Kelly.

CHRISTINE BORLAND Set Conversation Pieces – Convolvulus (1998), bone china, hand painted porcelain pelvis: human female pelvis size and hand painted porcelain skull: human infant skull size, courtesy of the artist and Sean Kelly.

The Glasgow School of Art

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Studio 58 : Women Artists in Glasgow since World War II

Studio 58 : Women Artists in Glasgow since World War II

The Glasgow School of Art

0

Studio 58 : Women Artists in Glasgow since World War II

Studio 58 : Women Artists in Glasgow since World War II

The Glasgow School of Art

0

Studio 58 : Women Artists in Glasgow since World War II

Studio 58 : Women Artists in Glasgow since World War II

The Glasgow School of Art

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Studio 58 : Women Artists in Glasgow since World War II

Studio 58 : Women Artists in Glasgow since World War II

The Glasgow School of Art

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Studio 58 : Women Artists in Glasgow since World War II

Studio 58 : Women Artists in Glasgow since World War II

The Glasgow School of Art

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JULIE HENDERSON, Vase (late 1980s), courtesy of Glasgow Women’s Library.

JULIE HENDERSON, Vase (late 1980s), courtesy of Glasgow Women’s Library.

The Glasgow School of Art

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Studio 58 : Women Artists in Glasgow since World War II

Studio 58 : Women Artists in Glasgow since World War II

The Glasgow School of Art

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Studio 58 : Women Artists in Glasgow since World War II

Studio 58 : Women Artists in Glasgow since World War II

The Glasgow School of Art

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CLAIRE BARCLAY, Untitled (2004), from Half Light, stainless steel, courtesy of the artist.

CLAIRE BARCLAY, Untitled (2004), from Half Light, stainless steel, courtesy of the artist.

The Glasgow School of Art

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Studio 58 : Women Artists in Glasgow since World War II

Studio 58 : Women Artists in Glasgow since World War II

The Glasgow School of Art

0

Studio 58 : Women Artists in Glasgow since World War II

Studio 58 : Women Artists in Glasgow since World War II

The Glasgow School of Art

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Studio 58: Women Artists in Glasgow since World War II

Studio 58: Women Artists in Glasgow since World War II

The Glasgow School of Art

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Dorothy Smith, Garcia Hunter

Dorothy Smith, Garcia Hunter

The Glasgow School of Art

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Studio 58 : Women Artists in Glasgow since World War II

Studio 58 : Women Artists in Glasgow since World War II

The Glasgow School of Art

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Studio 58 : Women Artists in Glasgow since World War II

Studio 58 : Women Artists in Glasgow since World War II

The Glasgow School of Art

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Studio 58 : Women Artists in Glasgow since World War II

Studio 58 : Women Artists in Glasgow since World War II

The Glasgow School of Art

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Studio 58 : Women Artists in Glasgow since World War II

Studio 58 : Women Artists in Glasgow since World War II

The Glasgow School of Art

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HANNAH FREW PATERSON, Motivator (1974), three-dimensional soft sculpture, courtesy of the artist.

HANNAH FREW PATERSON, Motivator (1974), three-dimensional soft sculpture, courtesy of the artist.

The Glasgow School of Art

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Studio 58 : Women Artists in Glasgow since World War II

Studio 58 : Women Artists in Glasgow since World War II

The Glasgow School of Art

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Mannequin wearing garments from Inventors of Tradition (2011) collection by ATELIER (LUCY MCKENZIE/BECA LIPSCOMBE), courtesy of the artists.

Mannequin wearing garments from Inventors of Tradition (2011) collection by ATELIER (LUCY MCKENZIE/BECA LIPSCOMBE), courtesy of the artists.

The Glasgow School of Art

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HANNAH FREW PATERSON, Karraree Fire (1970), three-dimensional embroidered panel, courtesy of the artist.

HANNAH FREW PATERSON, Karraree Fire (1970), three-dimensional embroidered panel, courtesy of the artist.

The Glasgow School of Art

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Studio 58 : Women Artists in Glasgow since World War II

Studio 58 : Women Artists in Glasgow since World War II

The Glasgow School of Art

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JACKI PARRY, The Book and the Rose - A New Book (1988), cast handmade paper, linen and cotton rag, courtesy of the artist.

JACKI PARRY, The Book and the Rose - A New Book (1988), cast handmade paper, linen and cotton rag, courtesy of the artist.

The Glasgow School of Art

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Studio 58 : Women Artists in Glasgow since World War II

Studio 58 : Women Artists in Glasgow since World War II

The Glasgow School of Art

0

Studio 58 : Women Artists in Glasgow since World War II

Studio 58 : Women Artists in Glasgow since World War II

The Glasgow School of Art

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Studio 58 : Women Artists in Glasgow since World War II

Studio 58 : Women Artists in Glasgow since World War II

The Glasgow School of Art

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CLAIRE BARCLAY Suspect Depth (2012), mirroring paint on glass, sewn fabric, courtesy of the artist.

CLAIRE BARCLAY Suspect Depth (2012), mirroring paint on glass, sewn fabric, courtesy of the artist.

The Glasgow School of Art

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Studio 58 : Women Artists in Glasgow since World War II

Studio 58 : Women Artists in Glasgow since World War II

The Glasgow School of Art

0

Studio 58 : Women Artists in Glasgow since World War II

Studio 58 : Women Artists in Glasgow since World War II

The Glasgow School of Art

0

CLAIRE BARCLAY Suspect Depth (2012), mirroring paint on glass, sewn fabric, courtesy of the artist.

CLAIRE BARCLAY Suspect Depth (2012), mirroring paint on glass, sewn fabric, courtesy of the artist.

The Glasgow School of Art

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ADELE PATRICK, ‘Self-defence’ gauntlets, garment, jewellery and ‘self-defence’/‘vagina dentata’ stockings, all from a collection produced for final MA Design Degree show, 1986, courtesy of the artist and Glasgow Women’s Library.

ADELE PATRICK, ‘Self-defence’ gauntlets, garment, jewellery and ‘self-defence’/‘vagina dentata’ stockings, all from a collection produced for final MA Design Degree show, 1986, courtesy of the artist and Glasgow Women’s Library.

The Glasgow School of Art

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Studio 58 : Women Artists in Glasgow since World War II

Studio 58 : Women Artists in Glasgow since World War II

The Glasgow School of Art

0

Studio 58 : Women Artists in Glasgow since World War II

Studio 58 : Women Artists in Glasgow since World War II

The Glasgow School of Art

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Studio 58 : Women Artists in Glasgow since World War II

Studio 58 : Women Artists in Glasgow since World War II

The Glasgow School of Art

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(above) HANNELINE VISNES, Ardabil With Stripes (2012), acrylic on board, courtesy of the artist. (Below) HANNELINE VISNES, Atomic (2012), watercolour on paper, courtesy of the artist.

(above) HANNELINE VISNES, Ardabil With Stripes (2012), acrylic on board, courtesy of the artist. (Below) HANNELINE VISNES, Atomic (2012), watercolour on paper, courtesy of the artist.

The Glasgow School of Art

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Studio 58 : Women Artists in Glasgow since World War II

Studio 58 : Women Artists in Glasgow since World War II

The Glasgow School of Art

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LAURA ALDRIDGE, Preparations (you are fking inanimate object)(2010), poster prints, fabric, paper, thread, pot pourri, courtesy of the artist and Kendall Koppe

LAURA ALDRIDGE, Preparations (you are fking inanimate object)(2010), poster prints, fabric, paper, thread, pot pourri, courtesy of the artist and Kendall Koppe

The Glasgow School of Art

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CATHY WILKES, Daddy Resting (2009), oil on canvas, courtesy of the artist and The Modern Institute.

CATHY WILKES, Daddy Resting (2009), oil on canvas, courtesy of the artist and The Modern Institute.

The Glasgow School of Art

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HAYLEY TOMPKINS, No title (2011), enamel paint, chair and Map (2012), watercolour, sticker, white tack on paper, courtesy of the artist and The Modern Institute.

HAYLEY TOMPKINS, No title (2011), enamel paint, chair and Map (2012), watercolour, sticker, white tack on paper, courtesy of the artist and The Modern Institute.

The Glasgow School of Art

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Studio 58 : Women Artists in Glasgow since World War II

Studio 58 : Women Artists in Glasgow since World War II

The Glasgow School of Art

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(L) LOTTE GERTZ, The meeting among the mountains, a slowly dissolving foot (2011), Acrylic paint, acrylic primer & coloured pencil, wooden frame, courtesy of the artist and Mary Mary. (R) JACKI PARRY, Winter Morning (2010), cast handmade paper

(L) LOTTE GERTZ, The meeting among the mountains, a slowly dissolving foot (2011), Acrylic paint, acrylic primer & coloured pencil, wooden frame, courtesy of the artist and Mary Mary. (R) JACKI PARRY, Winter Morning (2010), cast handmade paper

The Glasgow School of Art

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