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Nicolás Boullosa
nicolas.boullosa
4,828
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March 2006
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Escritorio de trabajo
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Buena parte de la documentación sobre el libro
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Ultimando la versión de la novela para la Kindle Store
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Apuntes antropológicos, históricos, situaciones, personajes, árboles genealógicos
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El libro, en mi Kindle
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"Triskelion" en el lector Kindle de mi teléfono
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Mi escritorio de trabajo
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Es difícil decidir cuándo un proyecto creativo (en este caso, un libro de ficción) se considera "cerrado"
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"Triskelion" es la primera novela de Nicolás Boullosa
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Acabé el libro a principios de 2012; desde entonces, permanecía en un fichero electrónico
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Detalle de algunos apuntes sobre tramas, subtramas, personajes, sagas...
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Cartas náuticas, viajes históricos, referencias de la década de 1770...
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Documentación con apuntes de antropología
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¿Cuál era la cotidianeidad en distintos lugares y contextos sociales en la década de 1770? El escritor de una novela histórica afronta retos
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Parte de la documentación de Triskelion
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"Making of" de Triskelion
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La década de 1770 configura las líneas maestras del mundo de hoy
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Triskelion es, en parte, novela del Oeste e historia de "pliego de cordel"; también novela-río
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"Triskelion: Historia Verdadera de la Conquista de la Felicidad" en distintos formatos Kindle
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El escritorio del autor
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Portada de "Triskelion: Historia Verdadera de la Conquista de la Felicidad"
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architect sarah deeds and carpenter john mcbride
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the house, from the couple's kitchen
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detail of the bathroom
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kirsten dirksen (*faircompanies), shooting some video
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the cabin, from their kitchen
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from their 1906 victorian house's kitchen
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lots of character
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the cabin is placed on one corner of the small berkeley conventional backyard
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the roof
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the little work cabin has a solid feeling
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entrance
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"california" signature on one of the bricks of the little brick
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serious building
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entrance (notice the thickness of the wall)
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shelve
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detail of the sofa see the design pattern of the drawers) as well as the carpet
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high window
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sarah deeds shows us some of her projects stored under the desk
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some book titles (iv)
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some book titles (iii)
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some book titles (ii)
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some book titles
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light playing with a wooden stick
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shelves
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nice touch in the desk: custom space for architectural plans
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carpented and designer john mcbride, sitting on the sofa
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space for some books
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top of the long shelve
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old wooden office chair
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detail of the shelves
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architect sarah deeds
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high window, designed to deliver the winter sun, but block the high summer sun
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roofing
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deeds and mcbride used no-VOC paint, stains and finishes
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the lights under the wooden slat are also a hint from the marine world
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perspective
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old school bricks for the paving
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the painted pattern add a personal touch (she was inspired by ships' flags)
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deeds used fsc-certified wood and a door salvaged from a previous project
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no claustrophobia in this small backyard cabin
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small, but with a clubhouse and spatious inside feeling
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first impression: a very solid construction, no matter the size
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the berkeley cabin
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sarah deeds worked with a friend in the garden that surrounds the working cabin
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notice the large south-facing high window overlooking
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the tiny working shed
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sarah deeds explains her backyard tiny cabin project
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architect sarah deeds and carpenter john mcbride
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kirsten dirksen, about to ring deeds and mcbride's bell
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berkeley streets
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loren amelang, in the entrance way of his house in the hills of mendocino county, northern california
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oak tree
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controlling the solar concentrator from the mobile phone
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south side of the house
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east side (summer kitchen on east entrance, and basement/bathroom dowstairs)
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oak trees
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the old barn, seen from the east of the house
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pantheistic touch to the light
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shower
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sink
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temperature regulator
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toilet (notice the tubular temperature regulator)
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bathroom sink
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shower
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basement
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stored food
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loren amelang, talking to kirsten dirksen (*faircompanies)
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growing some tomatoes in winter
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glass roof of the greenhouse/sunroom
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loren amelang in his house
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what to do with old first class boeing seats
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loren amelang (left) and kirsten dirksen (right)
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windows facing south
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desk
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light over the floor
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2
loren amelang, opening his house to *faircompanies
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the old bard, from the second floor
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winter light
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