Apple reports 10bn songs have been downloaded
via iTunes since April 2003. If the average
song price is $0.99, then the numbers do not
add up for digital sales. What about sales
from Amazon, Play, Zune and all the other
online shops?
The graph also fails to take into account
subscription services such as Spotify,
Last.fm and Pandora that have changed the way
people consume music.
The RIAA are one of the most untrustworthy
sources of industry information Bain Music
could possibly find!
"So digital peaked in 2005 at about 75%
of the CD max?"
No, digital has been growing every year it's
been around, and in 2009 was already bigger
than 8-track or records ever were, and close
to tapes at their peak. The thickness of the
red blob at 2005 is tiny compared to at 2009.
"Apple reports 10bn songs have been
downloaded via iTunes"
That's roughly $10B, and the chart here shows
downloads from 2003 until 2009, so 7 years.
That's an average of just over $1B per year,
which looks right to me: by 2006, it's around
$1B, and by 2009, it's about $2.5B. There's
plenty of room left to account for digital
distribution channels other than iTunes.
What do you think doesn't add up?
that's an interesting graphic, but i'm
confused about the scale. it lists a turnover
of 7 to 8 bn$ for 2009 but the latest ifpi
report listed global music revenues of
15.8bn$ for 2010. i always thought turnover
and revenue were synonymous, but obviously
i'm wrong. what exactly does the turnover
express?
If it weren't adjusted for inflation, I'd
have expected the dollar values to go up
rapidly during about 1974-82, the period of
double-digit inflation, and more slowly
afterwards. (I was around then, and remember
LP prices going up something like a dollar a
year.) Instead it's the other way around.
A chap on Evolver (I think) suggested that
the chart should be read as a stacked
histogram with unrelated areas inside. That
is to say, the axes describe the outside
curve but not the format blocks under the
curve. That makes more sense (in one way!)
but it still wouldn't be right. For example,
if you take a column from around 1979, you've
got the old format (vinyl) in the middle, the
next format (8-track) on the bottom and the
new format (cassette) on top. And you can't
read any values off the data, even though you
have two very clear axes. In 1973 zero(ish)
cassette shows around $2billion but in 2004
the same point reads around $zero. The only
explanation I can think of is that the client
asked for a graph which conceals the growth
of digital.
Here's a clearer example of the same
technique. I don't know if I can post a link
here but it's on Digital Music News yesterday
(no I can't post the link, sorry). It's not
the same data, this one is singles by unit
over time and format. But again, the new
formats start at the bottom, showing growth,
until we get to digital (online) which is
shown on top of the CD columns declining. Rob
@bemuso
Nobody produces tapes or 8-tracks anymore,
but surely the LP/EP category still has some
life in it, since they're still available in
high-street retailers (in the UK, at least)
and still immensely popular in independent
retail stores.
"Nobody produces tapes or 8-tracks any
more" is a wrong statement. Sissy
Spacek's "French Record" was
released last month on tape. I don't know of
any 8-tracks released in 2011, but 2010 saw
more than a few released.
Regarding the graph, it would be useful only
if it showed units...
The problem with stacked graphs is that a big
mover on bottom will distort everything on
top of it. For example, if we switch position
of the digital and CD sale (stacking from
bigger to smaller) the graph changes from
"all music sale is plummeting to it's
death" to "cd sales is over, but
digital is growing to a smaller, but
significant level". In fact if we ignore
inflation, digital is on par to the profit of
the 70's 80's, making the 90's the
aberration.
I wonder how many people who see the original
chart at Business Insider, etc., will get as
far as Alexandre's comment?
(I do wonder how "global" RIAA's
numbers are and were in the past. Was the
growth in the 90's because people globally
bought more music? Or bought more music
trackable by the RIAA?)
This is a great idea for a chart, but it
can't be stated strongly enough: Any chart
over this time-span that doesn't adjust for
inflation is simply a lie.
The pre-1987 period is/should be adjusted for
inflation.
The 2nd big story there: big big profit on CD
sales in the 80s and 90s. We sure got gouged
at the time. No wonder the RIAA was so eager
to stop Napster and Kazaa. They has a really
good thing going on.
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balloon in a sock (16 months ago | reply)
It would be interesting to see this graph as units (albums/singles) as well - do you have a source link for the data?
wejhbfjwebfjhqwfhwbefwebf (16 months ago | reply)
So digital peaked in 2005 at about 75% of the CD max? iTunes Store launched in April 2003. There is something seriously amiss here. Rob @bemuso
whatterz (16 months ago | reply)
Apple reports 10bn songs have been downloaded via iTunes since April 2003. If the average song price is $0.99, then the numbers do not add up for digital sales. What about sales from Amazon, Play, Zune and all the other online shops?
The graph also fails to take into account subscription services such as Spotify, Last.fm and Pandora that have changed the way people consume music.
The RIAA are one of the most untrustworthy sources of industry information Bain Music could possibly find!
Thomas Hawk (16 months ago | reply)
awesome sauce.
philoye (16 months ago | reply)
This chart isn't adjusted for inflation, making it rather useless.
algonzales42 (16 months ago | reply)
"So digital peaked in 2005 at about 75% of the CD max?"
No, digital has been growing every year it's been around, and in 2009 was already bigger than 8-track or records ever were, and close to tapes at their peak. The thickness of the red blob at 2005 is tiny compared to at 2009.
algonzales42 (16 months ago | reply)
"Apple reports 10bn songs have been downloaded via iTunes"
That's roughly $10B, and the chart here shows downloads from 2003 until 2009, so 7 years. That's an average of just over $1B per year, which looks right to me: by 2006, it's around $1B, and by 2009, it's about $2.5B. There's plenty of room left to account for digital distribution channels other than iTunes. What do you think doesn't add up?
mcsucker (16 months ago | reply)
I don't imagine this is inflation-adjusted; it would be more informative if it were.
Thomas Hawk (16 months ago | reply)
great news. Let's just hope this trend continues.
la-kate [deleted] (16 months ago | reply)
that's an interesting graphic, but i'm confused about the scale. it lists a turnover of 7 to 8 bn$ for 2009 but the latest ifpi report listed global music revenues of 15.8bn$ for 2010. i always thought turnover and revenue were synonymous, but obviously i'm wrong. what exactly does the turnover express?
Thomas Hawk (16 months ago | reply)
I wonder how much lower the graph would have to go before we could get rid of the RIAA?
snej (16 months ago | reply)
If it weren't adjusted for inflation, I'd have expected the dollar values to go up rapidly during about 1974-82, the period of double-digit inflation, and more slowly afterwards. (I was around then, and remember LP prices going up something like a dollar a year.) Instead it's the other way around.
wejhbfjwebfjhqwfhwbefwebf (16 months ago | reply)
A chap on Evolver (I think) suggested that the chart should be read as a stacked histogram with unrelated areas inside. That is to say, the axes describe the outside curve but not the format blocks under the curve. That makes more sense (in one way!) but it still wouldn't be right. For example, if you take a column from around 1979, you've got the old format (vinyl) in the middle, the next format (8-track) on the bottom and the new format (cassette) on top. And you can't read any values off the data, even though you have two very clear axes. In 1973 zero(ish) cassette shows around $2billion but in 2004 the same point reads around $zero. The only explanation I can think of is that the client asked for a graph which conceals the growth of digital.
CA_Jim (16 months ago | reply)
philoye's right.
"This chart isn't adjusted for inflation, making it rather useless."
wejhbfjwebfjhqwfhwbefwebf (16 months ago | reply)
Here's a clearer example of the same technique. I don't know if I can post a link here but it's on Digital Music News yesterday (no I can't post the link, sorry). It's not the same data, this one is singles by unit over time and format. But again, the new formats start at the bottom, showing growth, until we get to digital (online) which is shown on top of the CD columns declining. Rob @bemuso
coxy (16 months ago | reply)
Nobody produces tapes or 8-tracks anymore, but surely the LP/EP category still has some life in it, since they're still available in high-street retailers (in the UK, at least) and still immensely popular in independent retail stores.
jwallacephoto (16 months ago | reply)
After "Digital", it needs another shaded area for "Frivolous Piracy Lawsuits."
Mind Booster Noori (16 months ago | reply)
"Nobody produces tapes or 8-tracks any more" is a wrong statement. Sissy Spacek's "French Record" was released last month on tape. I don't know of any 8-tracks released in 2011, but 2010 saw more than a few released.
Regarding the graph, it would be useful only if it showed units...
Thomas Hawk (16 months ago | reply)
didn't Napster hit right about at the top of this graph, sigh, remember the good old days of Napster?
Alexandre Van de Sande (16 months ago | reply)
The problem with stacked graphs is that a big mover on bottom will distort everything on top of it. For example, if we switch position of the digital and CD sale (stacking from bigger to smaller) the graph changes from "all music sale is plummeting to it's death" to "cd sales is over, but digital is growing to a smaller, but significant level". In fact if we ignore inflation, digital is on par to the profit of the 70's 80's, making the 90's the aberration.
wejhbfjwebfjhqwfhwbefwebf (16 months ago | reply)
A perfect illustration Alexandre.
riddle (16 months ago | reply)
Great rebuttal, Alexandre!
I wonder how many people who see the original chart at Business Insider, etc., will get as far as Alexandre's comment?
(I do wonder how "global" RIAA's numbers are and were in the past. Was the growth in the 90's because people globally bought more music? Or bought more music trackable by the RIAA?)
troy nowaselski (16 months ago | reply)
If it had more colors I'd be interested.
davidmccabe (16 months ago | reply)
This is a great idea for a chart, but it can't be stated strongly enough: Any chart over this time-span that doesn't adjust for inflation is simply a lie.
gmorfy (16 months ago | reply)
The pre-1987 period is/should be adjusted for inflation.
The 2nd big story there: big big profit on CD sales in the 80s and 90s. We sure got gouged at the time. No wonder the RIAA was so eager to stop Napster and Kazaa. They has a really good thing going on.
yeon.ghost (16 months ago | reply)
what about small labels?
CD are not just released by major...
Thomas Hawk (16 months ago | reply)
I wonder if there could be some way to make the downslope go faster in the next few years ahead. It's a good trend, but is there a way to speed it up?
Marco Raaphorst (16 months ago | reply)
this is RIAA only. what about independent artists not members of RIAA?
hiorgos (16 months ago | reply)
www.businessinsider.com/these-charts-explain- the-real-dea...
sandy1169 (15 months ago | reply)
Such a nice post. It gives us many informative things. Dont stop blogging. Keep it up.
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