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2009_01_04_sba-sfo-iad-bos_016

2009_01_04_sba-sfo-iad-bos_016 by dsearls.
Morro Rock is one in a series of volcanoes from the Miocene age, during the Miocene Rotation of what are now the Santa Ynez and Santa Monica Mountains broke away from the North American Mainland, and pivoted in a clockwise direction, with the Santa Monica end held against the continent while the other end, now Point Conception, rotated like the hand of a clock to end up pointing just north of Westward. The sea floor thinned both north and south of the rotating terrane, and volcanoes came up. Those south of the terrane are now embedded in the Channel Islands. Those north of the terrane are now exposed as large roundish rocks or volcanic necks, running from Morro Rock to San Luis Obispo. Morro is the most familiar of those. The terrane between was mostly underwater during the rotation. Once locked into roughly its current position, pressure of the Pacific Plate against the North American Plate pushed up the mountains, which are a layer-cake of Tertiary rocks, the most recent of which is the Monterey Shale visible along the beaches earlier in this series. Here's another view

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Venividibitchy says:

Wow, that's quite a picture.

Any technical tips for capturing aerial photographs?

I read an article on the matter before, but it was very basic.
Posted 12 months ago. ( permalink )

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dsearls  Pro User  says:

I've written about it before somewhere.

1) Sit on the shady side of the plane.

2) Use Photoshop or the equivalent afterwards. Specifically, adjustments to color levels, contrasts and curves. Less complicated than it sounds. Just go under Image -> Adjustments -> Auto Levels, Auto Color, Auto Contrast. Choose one. I usually start with Auto Levels. You can reduce that effect under Edit. You can also have manual control under Levels or Curves, in that same menu.

There's more, but that's a good place to start.
Posted 12 months ago. ( permalink )

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Venividibitchy says:

Thanks, that helps.

I read somewhere that one can get away with using f/5.6 or f/8 apertures, because depth of field "doesn't matter", but I don't see how that can be true when I'm ideally trying to get the largest depth of field there could possibly be -- a view from 40k ft.
Posted 12 months ago. ( permalink )

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Damian Gadal  Pro User  says:

Very cool!
Posted 9 months ago. ( permalink )

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view photos Uploaded on January 6, 2009
by dsearls

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