Great shot, and one that definately fits the
ideology we have over at Small Figures In A Vast Expanse. So epic, it's a fantastic capture.
Posted 39 months ago.
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This is a phony -- Unless it was done on a
planet where the sun does NOT cast
shadows....
The trick is NOT to look at the image; but,
rather to look at the LIGHT; or more
specifically, where the light ISN'T -- if you
look at the rock formations the apparent
solar direction is from about 10 O'Clock
high; however, there is NO corresponding
shadow either from the equipment; nor cast
upon the rocks by the person in any of the
sequence photos.
I was in school when I got this over the
colleges Email system and could not take a
lot of time -- Now that I have had a second
look I also want to point out that the REALLY
interesting photos that are absent from the
"sequence" are the ones where this
guy changed his pants -- notice he is wearing
BROWN pants in the original photo; and BLUE
in the subsequent photos. Pretty neat trick
considering he did not have any spare pants
with him on the rock. Perhaps he wove them
out of his long hair and then dyed them blue
-- all this taking place so rapidly it was
impossible for the person purporting to take
these "real life" pictures to catch
a single frame of him in his underwear.... :)
Some final technical notes -- you will
notice there is NO motion blur in ANY of the
photos -- now, if the jumping sequence REALLY
took place AFTER sunset as the text alleges;
just HOW was this done without blurring??
EVEN low-light high-speed films would blur
without adequate lighting and FLASH
photography would be impossible for the
following reasons:
1. NO flash recovers fast enough to capture
the rapidly implied stop motion of the jump
sequence -- given the apparent distances
involved this would require about 1 full
power flash every 200ths of a second.
2. No flash shadows
3. NO high-contrast burn out that would
inevitably occur with a high-power flash --
Optical physics dictates that photaic values
(light brightness) falls off at the inverse
square of the distance. i.e. when you are
twice as far away it takes 4 times as much
light to achieve the same illumination. In
order to evenly light the subject in the
alleged sequence with a high power flash the
foreground (rocks nearer the subject) would
have been burned out -- that is why the
foreground in high speed flash illuminated
sports pictures is over-exposed while the
backgrounds are dark.
4. NOW also notice how the pictures are in
focus front to front to back. i.e. the
background even in the distance is just as
crisp as the foreground. THIS can ONLY be
achieved by stopping down a camera's lens to
a very small aperature. BUT, SMALL
aperatures REQUIRE larger amounts of light..
MUCH LARGER -- each F-Stop of a lens requires
TWICE as much light as the one before. IF
the lens were stopped down to that point (at
LEAST F-16), the background would be dark and
the amount of artificial illumination
required would be on the order of a Hollywood
Studio Lighting Bank -- BTW, these normally
require multi kilowatt diesel generators...
and all that implies in terms of credibility
for these images.
5. Next notice the subject in mid jump is
back-light as indicated by the lighted
fringing around the subject -- either there
is light from behind the subject or this is a
PHOTO-SHOP software production -- I favor the
latter considering the physics of the landing
and strange gaps near and under the feet in
the final photo of this sequence.
5. Finally, the perpetrator of this
fraudulent sequence alleges these are ad hoc
photos taken over some condierable period of
time. The initial photo shows a 10 O'Clock
high solar illumination while the closing
photos allegedly took place after sunset --
even in mountainous country this would be a
time span of 6 hours or more in the winter;
and considering the summer appearance more
likely 8 to 10 hours. So apparently, we are
being asked to believe this ad hoc
photographer held his/her camera in the SAME
posiiton all during that time as the framing
of the photos is IDENTICAL throughout the
entire sequence. NOTE, I am NOT talking
about the cropping; but the FRAMING -- notice
how the horizontal lines of the rocks line up
with the background identically throughout
the entire sequence. With steady hands like
that, the perpetrator could shoot the eye out
of a squirrel on the moon from NYC with a BB
gun... GIMMEE A BREAK...:)
6. Legally, the perpetrator of this photo
series has NO right to subject this person to
publicity without a photo release -- however,
he claims he has no idea who this person is.
Either he is willing to risk a multi-million
dollar lawsuit or there is chicanery afoot.
All in All it adds up to just another Web
Based Fraud designed to promote the interests
of the individual promoting the pictures by
taking advantage of the gullibility and
physical science ignorance of the general
public.
Posted 36 months ago.
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"6. Legally, the perpetrator of this
photo series has NO right to subject this
person to publicity without a photo release
-- however, he claims he has no idea who this
person is. Either he is willing to risk a
multi-million dollar lawsuit or there is
chicanery afoot."
Public place. No expectation of privacy.
Posted 36 months ago.
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The b aumer picture is wonderful and
quixotic. The beauty diverts one's attention
from the Very Odd fact a gentleman is taking
a nap in a
dangerous place.
Posted 36 months ago.
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isaacjohn [deleted] says:
Haha, I think you should have alook at my
latest picture. I believe you'd find it even
furthermore by chance.
he gets around
Posted 18 months ago.
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eric_beyeler
says:
Nice capture. Conveys the serenity and wonder of being in something much bigger than yourself.
Posted 41 months ago. ( permalink )