“No copyright control/all copyright
reserved” is a strategy that fits very well
into today reality of Bosnia. The national
museum, the national gallery and the
historical museum are closed. This means that
basically we live in the country with
absolutely no formal or governmental
interest/responsibility towards art and
culture. A logical consequence of this fact
is, that the artists should feel no
limitations or responsibility towards any
formal institution – the government, EU,
copyrights etc. To claim ones freedom as an
artist in Bosnia is to mark the isolation and
autonomy of the artists role. The artist is
absolutely marginalized and instead of
approaching the center, the institutionalized
art etc, “No copyright control / all
copyright reserved” is using this
marginalized position in a both positive and
controversial way. There is possibility to
get in a conflict with copyright/formal
authorities on practical level – but in a
context of values, ethics and humanity no-one
can force you into a system of rights when
this system is absolutely ignorant and
without a care. According to art history
there are similar strategies in art of
appropriation, eclecticism, postmodernism
etc. the idea of angry, screaming people on
video or photo reflects a similar frustration
and anger. Art is positive energy and
communication – this means the very opposite
the society and recent history in region of
formal Yugoslavia. Though the frustration is
a fundamental part of this energy.
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NCRC/ACRR says:
NEW 4 TRACK NCRCACRR ALBUM OUT NOW!!
TRAVNIK LIVE
listen on www. myspace. com/avataratari
Made the fatal mistake,
Like I did once before,
A tendency just to take,
Till the purpose turned sour,
what u c u get.
NOCOPYRIGHTCONTROL
NCRC/ACRR™
presents
TV®EVOLUTION©
©®EAL TV
MANIFEST NO1 MANIFEST
NO1 MANIFEST NO1
TV®EVOLUTION© TV®EVOLUTION© TV®EVOLUTION©
©®NCRC/ACRR™ MANIFEST NO1/JANUARY/13/05/Balkan/Bosna i Hercegovina/Zenica/Danmark/ Copenhagen/Skandinavia / ©®NCRC/ACRR™©®NCRC/ACRR™©®NCRC/ACRR™
“No copyright control/all copyright reserved” is a strategy that fits very well into today reality of Bosnia. The national museum, the national gallery and the historical museum are closed. This means that basically we live in the country with absolutely no formal or governmental interest/responsibility towards art and culture. A logical consequence of this fact is, that the artists should feel no limitations or responsibility towards any formal institution – the government, EU, copyrights etc. To claim ones freedom as an artist in Bosnia is to mark the isolation and autonomy of the artists role. The artist is absolutely marginalized and instead of approaching the center, the institutionalized art etc, “No copyright control / all copyright reserved” is using this marginalized position in a both positive and controversial way. There is possibility to get in a conflict with copyright/formal authorities on practical level – but in a context of values, ethics and humanity no-one can force you into a system of rights when this system is absolutely ignorant and without a care. According to art history there are similar strategies in art of appropriation, eclecticism, postmodernism etc. the idea of angry, screaming people on video or photo reflects a similar frustration and anger. Art is positive energy and communication – this means the very opposite the society and recent history in region of formal Yugoslavia. Though the frustration is a fundamental part of this energy.
©®NCRC/ACRR™ MANIFEST NO1: e.dolic.Balkan/ Bosnia i Hercegovina/Zenica/d.gerlach.Danmark/Copenhag en/Skandinavia/©®NCRC/ ACRR™©®NCRC/ACRR™©®NCRC/ACRR™©®NCRC/ACRR™
Posted 14 months ago. ( permalink )