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Delaunay-Terk, Sonia (1885-1979) - 1925 The Three Women (Museo Thyssen-Bornemisza, Spain) | by RasMarley
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Delaunay-Terk, Sonia (1885-1979) - 1925 The Three Women (Museo Thyssen-Bornemisza, Spain)

Oil on canvas; 146 x 114 cm.

 

Sonia Delaunay was a Jewish-French artist who, with her husband Robert Delaunay and others, co-founded the Orphism art movement, noted for its use of strong colors and geometric shapes. Her work extends to painting, textile design and stage set design. She was the first living female artist to have a retrospective exhibition at the Louvre in 1964, and in 1975 was named an officer of the French Legion of Honor. Her work in modern design included the concepts of geometric abstraction, the integration of furniture, fabrics, wall coverings, and clothing.

 

Delaunay grew up in St. Petersburg. She studied drawing in Karlsruhe, Germany, and in 1905 moved to Paris, where she was influenced by the Post-Impressionists and the Fauvists. She married the artist Robert Delaunay in 1910, by which time she was painting in the style known as Orphism, which involved the harmonious juxtaposition of areas of pure colour. She extended Orphist principles to the design of fabrics, pottery decoration, stage sets, and other applied arts. Among her most important works were her Orphist illustrations for a poem by Blaise Cendrars entitled La Prose du Transsibérien et de la petite Jehanne de France (1913; “The Prose of the Trans-Siberian and of Little Jehanne of France”); the resulting volume was a landmark in modern book production.

 

During the 1920s Delaunay designed textiles and dresses, and her use of abstract colour harmonies had a strong influence on international fashion. She returned to painting in the 1930s, joining the Abstraction-Création association in 1931. She and Robert Delaunay became involved in public art projects, and they collaborated on vast murals for the Paris Exposition of 1937. After her husband’s death in 1941, Delaunay continued to work as a painter and designer, and she lived to see the mounting of retrospectives of her work by major museums from the 1950s onward. In 1964 she became the only woman to have had an exhibition at the Louvre Museum in her own lifetime.

 

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Taken on November 15, 2010