Flickr: KEYSTONE DESIGN 鄭司維

Employment
中國文化大學廣告系專技助理教授
銘傳大學數位媒體設計系兼任講師
學學文創志業設計課程講師
點石設計有限公司藝術顧問
中華設計創作學會常務理事

Experience
兩廳院外聘節目宣傳平面設計
風潮音樂唱片外聘包裝美術設計
台北國際城市藝術節平面設計統籌
兩廳院廣場藝術節專案平面設計統籌
輔仁大學應用美術系兼任講師

Award
2010台灣視覺設計獎海報設計類金獎
2009入圍第52屆葛萊美獎【最佳唱片包裝設計獎】
2008台灣視覺設計獎包裝設計類金獎
2007台灣國際視覺設計獎活動識別類金獎
1997台北國際視覺設計獎書籍類創作金獎

Szu-Wei Cheng, toiled in the field of graphic design for years, possesses a design style rich in both the humanities and arts; in addition, Cheng can also accurately achieve the design purpose, undoubtedly has always been one of the preferred designers by domestic arts and literary circles. The parties Cheng collaborated so far include National Theater Concert Hall, Cloud Gate Dance Foundation, Ju Percussion Group, GuoGuang Opera Company, U-Theatre, Godot Theatre Company and Taipei Arts International Association, etc. Cheng also worked in concert with National Theater, Shihsanhang Museum of Archeology, Taipei 101, Pine Garden at Hualien and Yuan-Liou Publishing Co., Ltd, and he managed to develop and transform his interest of paper modeling into something concrete like the cultural and creative products. His commercial design products won Golden Awards from Taipei International Visual Design Exhibition specifically in the category of CI, DM, packaging design and book design, etc, and his talents have been reaffirmed as result.

During early 2008, he taught at Department of Applied Arts of FJU, specifically in the field of Visual Communication and served as the instructor for graduate production. Meanwhile he managed to sweep all five awards in gold, silver and bronze categories for the 2009 Young Designers’ Competiton in graphic design and packaging design.

In 2009, authorized by Wind Music International Corporation, he also designed record cover for trans-musical artworks of “Tathagata” by maestro He Xun-tian. He and his wife, also a designer, worked in conjunction to hand-drawn Bodhi’s leaf vein, exemplifying the design concepts characterized by refreshingly pure state of “void” and “oneness”. In addition, they applied book-folding method to bring out the binding mode for bilingual illustrations. Their innovative approach defeated the rest of 10 thousands plus albums participated to the contest and nominated for a 52nd Grammy award (Best Recording Package) in 2009. Undoubtedly they deserved the recognition dispensed from those who at world-class professional accreditation level. Again, he became the one who followed the footstep of Qing-Yang Xiao, who had been on the finalist of Grammy Awards three times so far, needless to say, Cheng, the Taiwan designer once again, brought home the glory for the design profession in Taiwan.