About The Voice of Eye / Culture:Subculture Photography  

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The Voice Of Eye's Image Galleries:
••• By Portfolios
••• By Published Works & Gallery Shows
••• By Photographic Category Or Genre
••• Uploads As I Go

The Voice Of Eye's Prints For Sale:
••• Prints For Sale

The Voice Of Eye Online:
••• My MySpace Profile
••• My Wordpress Weblog
••• My Twitter Profile
••• My Linked-In Profile
••• My Tribe Profile

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"While searching for truth, I, while living, have become one with the universe"
--- a variation on a quote from C. Marlowe's "Dr. Faustus"

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"Because I dream... I am not."
--- from the film, "Leolo"

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"The most beautiful experience we can have is the mysterious. It is the fundamental emotion which stands at the cradle of true art and true science. Whomever does not know it can no longer wonder, no longer marvel, is as good as dead, and his eyes are dimmed." --- Albert Einstein



“Inaction breeds doubt and fear. Action breeds confidence and courage. If you want to conquer fear, do not sit home and think about it. Go out and get busy.” --- Dale Carnegie

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Statement:

Since 1998 I have chosen to become acquainted with the lesser known, the eccentric, the creative, the misunderstood, the marginal, and the disappearing as well as emerging cultures, communities, and individuals in our world.

As a visual documentarian I prefer to observe a culture from within looking inward through patience, networking, social integration, and earning the trust and respect of my host community. I photograph my subjects through a lens that honors a people's unique identity while also revealing their inner beauty and vulnerabilities as well as their similarities to and differences from global culture. But more importantly, I seek to affirm my subject's humanity. Concurrently, as a fine artist, I endeavor to make use of the resources available to me while engaging in a process of conceptual play and discovery with my subject and the physical circumstance. For both approaches I seek to visually understand the ambition, the disposition, and the motivation of the person(s) who I chronicle, especially while in the context of a location that has a historical dimension while communicating a sense of meaning and place.

My personal mission, however, is to one day recognize that which connects each of us to ourselves, each other, all that is living and inanimate in nature, and that which is the great unknown. Both during and after my time while alive on earth, I hope that my work will serve to inspire each succeeding generation to further realize our enlightened potential as a sentient and evolved species.

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Specialties:

Documentary Photojournalism, Fine Art Photography, Portraiture, Band Photography, Performance Photography, Activist Photography, Promotional Photography, Digital Audio Documentary, Digital Audio Field Recording

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"The mission of photography is to explain man to man and each man to himself.” --- Edward Steichen

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"The most beautiful experience we can have is the mysterious. It is the fundamental emotion which stands at the cradle of true art and true science. Whomever does not know it can no longer wonder, no longer marvel, is as good as dead, and his eyes are dimmed." --- Albert Einstein

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A Dedication...

Though this gallery includes many images that look back to and share experiences I had in San Francisco, at Burning Man, and other places, my gallery is first and foremost dedicated to the people of New Orleans.

My heartfelt sentiments go out to those who have, since its inception, endured servitude, negligence, corruption, exploitation, and gentrification... having to fight for their cultural identity and civil rights in the face of the moral crusade, political indifference, cultural homogeneity, and economic imperialism... not to mention having survived the greatest natural disaster and political failure in the history of the United States. I, however, reserve a special place in my heart for those who have supported my efforts and endeavors while also befriending me, even during my own times of duress and need.

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"My mission is the creation of a new perception of the world. Thus I decipher in a new way a world unknown to you." --- Vertov

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“He who learns must suffer. And even in our sleep pain that cannot forget falls drop by drop upon the heart, and in our own despair, against our will, comes wisdom to us by the awful grace of God.” --- Aeschylus

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Short Bio:

Since 1998 - while having lived in and between San Francisco, New Orleans, and Washington D.C. - I have pursued photography with a passion and a flare for creative composition and historical tenor. Though I started out with the intent of becoming a National Geographic and Smithsonian photographer, I have since found my visual voice through documentary photography, photojournalism, conceptual and fine art imagery, portraiture, band and performance photography, and photographic activism.

To date, I have been both self-directed and motivated by a sense of purpose. As a result, I am deeply invested in my subjects, my experiences, and the quality of my work: having embarked on an extensive exploration of Burning Man culture in the early 2000s, assembling an intimate portrait of the cross-section of creatives and eccentrics who urban underground communities, and immersing myself in a three-year plus chronicle of New Orleans and its residents, who have, on their own, succeeded in overcoming many of the challenges following the devastation visited upon them by Hurricane Katrina.

Thus far, my images have been published in The Village Voice and Lenswork Magazine, my prints have been purchased for the permanent collections of The Louisiana State Museum and The Historic New Orleans' Collection, my journalistic ethic has been appreciated by faculty from universities such as Columbia and Stanford, my activist fervor has been recognized by The Institute For Southern Studies and the German Parliament, and my talents commissioned by the likes of The Ogden Museum of Southern Art and the Burning Man, LLC.

In an effort to publish the first of my many books from the past eleven years on queue, I am beginning the process by editing the many thousands of images I have acquired from my New Orleans experience while developing my professional network.

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Resume:

Fine Art Collection Acquisitions:

The Historic New Orleans Collection, New Orleans, LA - 2008
- "Dormant Safari" was transferred from the Superdome Executive Suites to the HNOC Permanent Collection.

Louisiana State Museum, New Orleans, LA - 2007
- Tony Lewis, Visual Arts Curator, purchased "Sustained Collapse" and "No Words" for the LSM permanent collection.

The Preservation Center of New Orleans (PRCNO), New Orleans, LA - 2007
- The Executive Director, Mary Fitzpatrick, requested (3) images for the Center's archive, one of which she used for the book "New Orleans' Favorite Shotguns".

The Superdome, New Orleans, LA - 2007
- Donn Young, Visual Curator for the SMG Corporation, purchased "Dormant Safari" for display in the Superdome's Executive Suites.

Gallery Shows:

San Francisco Arts Commission Gallery, “Breakthrough”, multi-artist show - Apr-Jun 2007
- "Larry da Leopard and Lunga the Wonderdog" was selected by Terri Whitlock, SF MOMA's Associate Curator of Visual Arts

The Faubourg Marigny's Artist’s Market, New Orleans, LA, outdoor exhibition - May 20, 2007
- (12) images from “Beauty in Ruin” were exhibited

New Orleans’ Artist’s Open Studios, New Orleans, LA, in-home exhibition - Apr 21-22, 2007
- (12) images from “Beauty in Ruin” and (30) images from "Forsaken" were exhibited

The Louisiana Spirit, The Marriott, Baton Rouge, LA, multi-artist show - Mar 2-4, 2007
- Funded through FEMA’s Crisis Counseling Program
- (12) images from “Beauty in Ruin” were exhibited

Marigny Perks Cafe, New Orleans, LA, gallery show - Oct 12, 2006
- (12) images from “Beauty in Ruin” were exhibited

The Burning Man "Decompression" Street Fair, San Francisco, CA - Oct 05, 2003
- (30) images from “Dangerous People Working” were exhibited

The Burning Man LLC Gallery, San Francisco, CA - Jan-Sep, 2003
- (30) images from “Dangerous People Working” were exhibited

1015-Folsom, San Francisco, CA, "Ascension" multi-artist show - Apr 2002
- (20) images from "No Apologies” and “Stage Left” were exhibited

SOMArts, San Francisco, CA, “ArtSF Presents...” multi-artist show - Mar 2002
- (20) images from "No Apologies” and “Stage Left” were exhibited

Xenodrome Theater, San Francisco, CA, "Prequel" gallery show - Dec 2001
- (20) images from "No Apologies” and “Stage Left” were exhibited

Magazines, Newspapers, Journals, and Other Publications:

Second Line News - Nov 2008
- "Big Day" featured a (10) image online photo essay about Election Day 2008 in New Orleans.

The Change Agent - Sep 2008
- "Half New Orleans' Poor Permanently Displaced" was written by Bill Quigley with the image "Stop Evicting Katrina Survivors" on p.24.

Geez! Magazine, Issue #10 - Sum 2008
- One full page of the image "General Heathen says..." on p.45.

Amass Magazine, Volume 13, Issue #29 - May 2008
- An interview with Mike Davis (the author of City of Quartz) and Dan Tsang with a 1/2-page dedicated to the image "Stop Evicting Katrina Survivors" on p.33.

Six Degrees: A Stanford Journal of Human Rights - Win/Spr 2008
- Editor, Katherine Hoffman, selected the image "Stop Evicting Katrina Survivors" as the front cover image.

The Village Voice, Vol.LIII, #9 - 02/08
- "Mardi Gras Indian Chiefs Stand Tall and Proud" was written by Larry Blumenfeld with the image "Taking Wing..." on p.111.

Lenswork Extended, #71 - 2007
- (12) image photo essay about post-Katrina New Orleans with the image "Katrina's Jazz Funeral" on back cover.

Geez! Magazine, Issue #7 - Fall 2007
- Two-page spread with the image "Restrooms" on pp.34-35.

The Institute For Southern Studies, Quarterly Report - Sep 2007
- Executive Director, Chris Kromm, selected (3) images to be used on the cover of the report, "Blueprint for Gulf Renewal: The Katrina Crisis and a Community Agenda for Action"

The City of Chicago's Millennium Park, "Millennium Park Presents: Sing Me Back Home" Program Booklet - Aug 2007
- Communications Manager, Karen Ryan chose (3) images that appear on pp.3-5.

Yes! Magazine, Issue 42 - Sum 2007
- “Why Iraq Veterans Can’t Stay Silent” was written by Sarah Olson with the image “Four Iraq Veteran’s Agree” on p.14.

The Village Voice, Vol.LII, #23 - Jun 2007
- “A Saint Goes Marching Home” was written by Larry Blumenfeld with the image "The Funeral March" on p.113.

Z Magazine, Vol.20, #2 - Feb 2007
- "New Orleans' Battle For Public Housing" was written by Craig Morse and Elliot Dale with (4) images on pp.21-22.

The Institute For Southern Studies, Quarterly Report - Feb 2007
- Executive Director, Chris Kromm, selected "Stop Evicting Katrina Survivors" for p.5 and "We Children Want To Stay In Our Home" for p.16 in the report, "A New Agenda for the Gulf Coast: What Congress can do now to Confront the Ongoing Crisis of Hurricane Katrina"

Other Magazine, Issue #11 - Dec 2006
- Photo Essay about post-Katrina New Orleans with (4) images on pp.61-63 selected by Art Editor, Tristan Crane.

RFD Magazine, Issue 128 - Win 2006
- Photo Essay about post-Katrina New Orleans with (8) images on pp.8-11.

The Bywater News, Volume 32, Issue 12 - Dec 2006
- Full front cover with the image "Stairway To..." selected by Editor, John Costa.
- “Small Axe Farm Makes New Music on Rampart” was written by John Costa with (4) images on p.7.

The Bywater News, Volume 32, Issue 9 - 09/06
- Full front cover with the image "Handicapped Entrance" selected by Editor, John Costa.

The 2005 Burning Man Calendar - 2005
- The image "Coyote" was selected by the Editor, Cameragirl, for the month of November.

The Alligator Juniper, an annual publication of Prescott College - 2000
- Entered into a contest, "Thunderdome" was selected by author and guest curator, Paul Zimmer, as one of the finalists, appearing on p.67.

The San Francisco Chronicle - Jun 1998
- "House on 19th Avenue Explodes; Drugs Suspected" was written by a Chronicle reporter with the image "Shaken and Stirred".

Books:

“Non Governmental Politics” edited by Michel Feher, Zone Books - 2007
- “Art and the Ends of Environmentalism: From Biosphere to the Right to Survival” was written by Yates McKee with the images "Cleveland" and "Stop Evicting Katrina Survivors" on p.577.

"New Orleans' Favorite Shotguns" by Mary Fitzgerald and Alex Lemann - Nov 2007
- The image "Peace in a Time of War" occupies 3/4 of p.26.

“Theories of Performance: Selves, Scenes, and Screens” by Dr. Elizabeth Bell, PhD, Associate Professor, University of South Florida, Sage Publications - Sep 2007
- The image“Make This Neighborhood Mixed Income” appears on p.213 and the image “Hands Around The Dome” appears on p.223.

"Power Amidst Chaos", published by The Alliance For Justice - Aug 2007
- Deputy Director of Advocacy Programs, Abby Levine, selected me as the exclusive photographer for this project, using (9) images.

“The House that Faux Built” by Adrienne van Dooren, East Cambridge Press - May 2007
- (4) images appear on p.V of the Forward.

Film, Radio, Theater & Presentation:

"Cardboard Signs", a music video by singer/songwriter Steven Stone - 2009
- (6) images make an appearance.

Robert Redford presents, “The Unforeseen”, a documentary film directed by Laura Dunn, produced by Robert Redford and Terrence Malick - 2008
- “No Landfill” makes an appearance during the end credits.

"Hurricane Season: The Hidden Messages in Water", 56-city touring on-stage theatrical performance by Climbing PoeTree - 2008
- (3) images are projected during a live performance.

KBCS, Seattle 91.3n FM, Joaquin Uy, News Director - Aug 2008
- "Playground" was selected for a story about Hurricane Katrina's third anniversary on the World Report page of KBCS's website.

The German Parliament, a presentation by Hans-Josef Fell - Oct 2007
- (3) images were incorporated into a presentation to the assembly about Renewable Energy and Resources.

CD/DVD:

The Andy J Forest Band, “Real Stories… of love, labor, and other man-made catastrophies”, Produced by Anders Osborne, Slang Records, Recorded at Piety Street Recording Studio - 2007
- (12) images were used between the CD booklet's front cover, rear cover, and inner pages, as well as for the jewel case back cover and on the CD itself.

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THIS GALLERY'S PURPOSE:

WITH REGARD TO NEW ORLEANS...
••• The working title of this visual thesis is, "Forsaken... Not Forgotten".
••• To provide an honest and intimate portrait of New Orleans and its inhabitants since Hurricane Katrina and the Great Flood.
••• To share my understanding of New Orleans at this time through an open-minded and participatory approach, so as to chronicle and report far beyond the myopic portrayal of the media.
••• This visual thesis is executed with special attention given to the on-going physical, social, and economic struggles, as well as the unique culture and enduring spirit of the New Orleans' inhabitant, especially in a country that has all but forgotten the value of heritage, cultural diversity, ritual, ceremony, tradition, and creative living.

WITH REGARD TO DOCUMENTARY IMAGERY...
••• To provoke thought, feeling, and action from the viewer so that it may result in positive change.
••• To encourage a worldwide cross-cultural dialogue through presenting powerful imagery and thoughtful commentary regarding the myriad of social, cultural, economic, political, and environmental issues that challenge humanity and our planet in the 21st-Century.
••• This gallery explores the beauty, the suffering, and the enduring spirit of the human species so as to increase both social- and self-awareness, and inform the collective conscience.
••• To visually interpret regional culture and subculture in an effort to promote understanding, the diversity of human expression, our connection to each other and our environment.
••• To explore the remnants of traditional culture within regional and ethnic communities that struggle to maintain their identity in the face of economic imperialism.
••• To chronicle the growing number of communities who strive to create new forms of cultural identity and expression in the face of a society stripped of purpose and identity.
••• To encourage an understanding of the easily dismissed or misunderstood.

WITH REGARD TO PORTRAITURE, PERFORMANCE, AND FINE ART IMAGERY...
••• To photograph each person with their dignity and humanity in-tact.
••• To capture the often overlooked ephemera within a pre-existing context that will encourage the viewer to be reflective and consider different possibilities.
••• To celebrate those who are self-directed, radically expressive, unapologetically individual, socially conscious, thoughtful, visionary, honest, authentic, fearless, provocative, adventurous, playful, creative, cooperative, empathetic, compassionate and curious who embrace truth and wisdom as their guiding light.
••• To shake-up and inspire the many who sleepwalk through life, who follow an unconscious routine, who subscribe to social prescriptions, and/or who allow others to make decisions and take responsibility for them.

WITH REGARD TO NUDE PORTRAITURE...
••• To recognize that in all of its manifestations the human body is visually complex and emotionally alluring. And that throughout history artwork of the nude human form has attracted more attention, both good and bad, by the average person than any other type of art.
••• To photograph each person in the nude with consideration to their dignity and humanity. However, in this instance, an image is captured through the filter of form, texture, beauty, sensuality, and/or the mysticism within a mythological, archetypal, historical, egoic, and/or socially provocative context.
••• To present sensuality and sexuality as both transcendental art and raw humanity.

WITH REGARD TO MY PERSONAL AND PROFESSIONAL AGENDA...
••• I am on a self-directed mission to bring my interpretation of truth and beauty - through the filters of acute awareness, cognizant intuition, creative vision, and a sense of connectedness - to the people of the world in an effort to affect, inspire, and move, to provoke questions, dialogue, and ultimately change.
••• I seek to challenge myself and improve upon my talents and skills as an artist and documentarian through experiencing different ways of seeing, being, and engaging the world.
••• I wish to travel the world to ally myself to and befriend like-minded individuals - be they creative, social, scientific, and spiritual visionaries - who seek to find ways to live peaceably together and in cooperation with our planet.
••• I wish to continue to learn about how to accurately yet artfully communicate a visual story with respect paid to different cultural and individual points-of-view.
••• Though I enjoy creative collaboration and thoughtful input, because I do not subscribe to the mainstream art and media's propensity toward censorship, propaganda, sensationalism, and dumbing down in order to benefit the capital agenda of monied interests, I will continue to document my experience and the people/communities who are of interest me without restrictions or agendas imposed by editors, patrons, and/or special interests.
••• I wish to be respected as both an artist and documentarian, published in a variety of media, and exhibited in galleries and museums worldwide.

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“Photography is a way of feeling, of touching, of loving. What you have caught on film is captured forever... it remembers little things, long after you have forgotten everything.” --- Aaron Siskind



“Learn from yesterday, live for today, hope for tomorrow. The important thing is not to stop questioning.” --- Albert Einstein

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THE MISSION OF CULTURE:SUBCULTURE
••• To be invited to observe, photographically interpret, and share my observations and experiences with people who are receptive to not only appreciating beauty, but also diversity, human suffering, the enduring spirit, and the strange.
••• To facilitate the process of learning about one's self and and our connection to each another.
••• To document the struggle of long extant cultures who attempt to maintain their heritage and cultural identity, while concurrently, communities of like-minded individuals attempt to create a cultural context with purpose and distinction in a world overpopulated by people who subscribe to conformity and uniformity.
••• To explore a myriad of places and cultures in an effort to nurture an understanding of society and self.
••• To promote awareness, dialogue, diplomacy, self-expression, alliance, community, and self-realization within a democratic framework.
••• To inspire honesty, authenticity, and responsibility to ourselves and one another.

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“Photography for me is not looking, it's feeling. If you can't feel what you're looking at, then you're never going to get others to feel anything when they look at your pictures.” --- Don McCullin



“Keep me away from the wisdom which does not cry, the philosophy which does not laugh, and the greatness which does not bow before children.” --- Kahlil Gibran

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“In photography there are no shadows that cannot be illuminated.” --- August Sanders



“Look for the answer inside your question.” --- Rumi

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WHY THE VOICE OF EYE?

The alias I've adopted is a modification of the name of one of my all time favorite experimental noise and dark ambient groups, Voice of Eye. Being that the name resonated with the way that I both experience and interpret the world, and the separate musicians had moved onto other projects, I decided to keep the name alive.

However recently, by sheer coincidence, Ure Thrall, who is a friend of one of my dearest friends, and a one time co-collaborator with Voice of Eye, informed me that, after over a decade of inactivity, VOE will again come together in October of 2008 for an international ambient music event entitled "I Am In Dust" (http://www.iamindust.com), located in Oakland, California.

As strange as the story of my life has been, it's about to get stranger, because I will be the photographer for this event.

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THE WISHING WELL:

TECHNOLOGY:
••• An Epson Stylus Photo R2880 Inkjet Printer
••• A Canon G9 w/ wide angle adaptor
••• A Leica M8 w/ 28mm Lens
••• Studio Lighting
••• A Zoom H4n Portable Digital Audio Recorder
••• A High Definition Mini-DV Camera
••• Adobe Lightroom

IN AND BETWEEN SPACE:
••• A Permanent Gallery & Studio Space
••• Frequent Flyer Miles
••• House sitting gigs

FUNDING:
••• Paid Freelance Assignments
••• Sponsorship & Patronage
••• Grants & Residencies

STAFF & SUPPORT:
••• A Manager
••• An Agent/Publicist
••• A Grant Writer and Fiscal Sponsor
••• An Administrative Assistant
••• A Photo Editor/Photoshop Expert
••• A Website and E-Commerce Site Designer
••• An Online Sales Expert
••• A Copyright Lawyer
••• An Accountant

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MANY THANKS...

FOR THEIR ENDURING FRIENDSHIP, INFLUENCE, FAITH, LOVE, PATIENCE, AND MORAL SUPPORT -
Mom, Dad, Sis, Julie G, Rachel H, Olga L, Aline P, Juan ADP (RIP), Erika P, Afshin & Carolyn P, Jennifer H, Lea B, Arzuaga, Tania S, Kevy A, Lisa N, Rosanna S, Andre & Eric, Wayne M, Andy S, Jordan L, Leah K, Kristina C, Spark Rich, Lori & Jaime, Andrew D, Kelly C, Ted N, Bonnie D, Elizabeth G, Dan Dead, Mark P, Jose TT, Craig T, Robin W, Christopher T, Thaddeus C, Allan F, Matthew P, Katie W, Marta D, Sonja S, Katya, Larry B, Lisa K, Alicia V, Jon H, Nick S, Chloe S, Donny M, Firefly, Gena V, Marrus & Jay, Gina M, Jennifer P, Josh & Sophia, Kate A, Lauren A, Garrett, Patricia M, Low Rent, Nargiza, Xarene E, Jim K, Charles S

FOR THEIR PATIENCE, KINDNESS, AND SUPPORT -
Newt B, Kat K, Paul G, Tara V, Kevin C, Peter J, Katherine C, Ned & Veronica, Tova R, Dennielle K, Mary G, Kim & Hideto, Sister Merry Peter, Rena J, Maneli K, Nadya W, Shiloh R, Clintone, Amanda V, Sonia B, Philippe, Annie C, Grace W, Nick B, Michel V, Sean aka Dante, Katy H, Jack S, Jonathan G, Niamh S, R. Moose J, Ace, Tiffany B, Charlie D, Theo E, Bird, Chenoa F, Bridget B, Stephanie & Todd, Lisa L, Shannon B, Trixie M

FOR THEIR COUNSELING, PATRONAGE, NETWORKING, AND/OR MATERIAL ASSISTANCE OVER THE YEARS -
Juan ADP (RIP), Afshin & Carolyn P, Chris S, Peter J, Jim K, Newt B, Kevin C, Fred M, The Sisters of Perpetual Indulgence, Jon, Mark P, Christopher T, Craig T, Marrus & Jay, Garrett, Bryan H, Cecelia L, Flynn M, Larry B, Maid Mariane, Larry H, Xarene E, Charles S

FOR THEIR COOPERATION -
DPW, Xeno, Mystic Family Circus, Death Guild, Rhythm Society, Infinite Kaos, S.P.A.Z., Jewels S, Burning Man, Burning Bush, The DPW, The Sisters of Perpetual Indulgence, Vau de Vire Society, Apsara, Cellspace, R Productions, Kinky Salon, Dadafest, Art Angels, Camanda Galactica, WAWBSABS, Pain Tribe, Krewe du Poux, Royal Revelers of Discordia, Alley Cats, Mardi Gras Indians, Congo Nation, New Orleans' O.T.O., Artspot Productions, Mondo Bizarro, The Dragon's Den, One Eyed Jack's, The Hi Ho Lounge, Cafe Brazil, Mimi's, N.O.madic Tribal, Sallie Ann Glassman, Priestess Miriam, New Orleans' Social Aid and Pleasure Clubs

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WHO'S VISITING THE VOICE OF EYE?

Click to zoom in on my visitor map!

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