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That's very interesting, Special. I hadn't thought of doing it that way.
In Photoshop, a (the?) way to do it is to select the paintbrush and select 'saturation' mode. I just had to go try it out.
Could somebody post about the 'masking' process, because I'm not sure how that one works, either.
Thanks again, Special, that was a really great write-up!
Posted 62 months ago.
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I'll write one on the Photoshop method of doing this and the true masking technique if you want. I can do it both ways. I just thought most people knew that method already. If you want it, give me another day or so since one tutorial a day is my limit. heh.
Posted 62 months ago.
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No, right now!!!
hehe, just kidding. It'd be great if you get around to it, though, or if you know of a good online tutorial you could point me in the direction of - that'd be splendid, too.
Posted 62 months ago.
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Thanks Special! I'll give it a try.
Posted 62 months ago.
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Max, I don't really read tutorials much. I normally stumble onto things on my own while goofing with images. That's how I developed this method, so I don't know of any tutorials on this.. or masking which I also figured out through trial and error. I just know that in the cutouts group people were talking about their methods.
If my 'conversion in progress" screencap confuses you I'm sorry. I just realized you might think "what the heck?" since i have the final product beside a 'working on' version. It's because for the sake of the tutorial i was editing the image again to get a screencap and had both images open for sort of a during and after approach. It is like those stupid cooking shows that take out the food and it's completely done, right after they put it in the oven.
Posted 62 months ago.
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lol... no I understand your tutorial perfectly - I just like to learn about all sorts of ways of doing things. That's why I started this group ;)
If there's more than one way to skin a cat, I think I should know both ways to skin that darn cat.
Posted 62 months ago.
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Actually, is Devos a member of this group? Because he does the true masking for his partial black and whites. He might want to write the tutorial. I mean, I'll write it if not.. but he might want to write it. To have his say.. so to speak.
Posted 62 months ago.
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When I do this in Photoshop I simply add a duplicate layer of the first over the top, convert it to b&w (using whichever technique is your favourite) and then rub out bits of the top layer to reveal the colour layer underneath.
Is there anything wrong with that method?
Posted 62 months ago.
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The duplicate layer method has the advantage of giving you more control over the B&W portion - getting the right saturation, having infra-red style B&W channel only, noise etc.
Posted 62 months ago.
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I don't usually Photoshop my stuff but this was fun.
When I originally saw this playground apparatus the red rings just popped out at me but when I saw the photograph (I'm not digital) they were lost in a muddied background. This technique let me recapture my original feeling for the shot.
Here's the original for comparison.
Posted 62 months ago.
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ni.co . there's nothing wrong with the method you described. It's whatever works best for you.
Auntie G did you do that in Photoshop or in Paintshop Pro? You said Photoshop your stuff so just curious which method you used.
Posted 62 months ago.
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I have Photoshop Elements (much cheaper than full Photoshop) but the method is the same as you described for Paintshop Pro. As I moved inward towards the red parts, I reduced the size of the brush and enlarged the size of the image.
Posted 62 months ago.
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I haven't really explored this option in depth myself, but you can do the same thing with freely available tools. The Gimp is an open source program and they have a tutorial you can follow here:
www.gimp.org/tutorials/Selective_Color/
It seems there are a few more steps involved, but hey, it's free?! BTW, there are also versions available for MacOSX, Linux (UNIX) and yes, even Windows!
Posted 62 months ago.
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Thanks Eric (Snowdeal) for pointing out this discussion. What I usually do in Photoshop (Windows version) is:
1. Zoom in to the picture to a level that is appropriate for selecting the object you want to REMAIN IN COLOR (so it's the other way around compared to Special's approach)
2. Then, using the lasso tool (or any other selection tool), meticulously select the part of the image you want to remain in color.
3. Save the selection (Select, Save Selection)after selecting it as a precaution (actually, you might do that while in the process of getting the selection right).
4. Then zoom out again to "Fit on Screen" (for pasting purposes)
5. Finally copy the selection to the clipboard, set the image to grayscale (Image, Mode, grayscale). Then set it back to RGB color mode and paste the clipboard selection back in.
It has the advantages described by IanL as it will be a seperate layer. Which allows for adjustment to be made afterwards, like the request I did for Special.
Original Mask:
Pink Beetle at Special's request:
Or you can play around with the black and white layer like I did in this one:
 <
Posted 61 months ago.
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I just did a variant on what deVos described, using GraphicConverter on OS X.
1) Prepare two copies of the image, A and B.
2) Desaturate copy A. Adjust brightness, contrast and saturation so the tiger looks best, in copy B.
3) Erase everything around the tiger in copy B by painting it white using various tools at different resolutions.
4) Use the "magic pen" object select tool at a very permissive setting to select the entire tiger image from copy B. Copy and paste onto copy A of the image. Alignment is easy since GraphicConverter shows the pasted object translucent while moving it into its proper place.
5) Finishing touches - minor corrections at some boundaries.
Result:
Posted 61 months ago.
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Nice, thanks for sharing guys.
Posted 61 months ago.
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I’ve used this technique quite a bit with my bird photography, because so often the bird is embedded in a similar colored background. Depending on the desired output, you can make the distinction as subtle or apparent as need be. Here are three images that I did a couple of years ago, but are still some of my favorites.
The technique I used goes as follows:
(In Photoshop)
1. In layers, duplicate your original image and work off the copy
2. Use the pen tool to create a path around the bird
3. From the paths tab select “create selection from path” (I think I used a two pixel feather for these, but I’ve used up to five, but most often zero)
4. From the SELECT menu, choose select inverse
5. From the channel mixer, check the monochrome checkbox and tweak the channels for a desired balance.
6. At this point, you have an image with only the subject in color, and the rest of the image in grayscale. Select inverse again so you’re working with the subject. At this point I like to bump up the saturation a bit. Especially with these images as they handled it well. Sometimes this gets too gaudy, but what about this process isn’t iterative?
7. Now either duplicate the original image again (if you’re like me, it’s still labeled “background”) or double-click the original image to change it to a layer. Drag the original (or copy of original) up on top of your manipulated image. Bring down the opacity of the color image (top), so you can see through to the gray/color image, thereby “re-colorizing” the image.
The result will be an all-color image with your subject standing out considerably more than the background.
Posted 60 months ago.
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I might be kind of an idiot, but couldn't you also do what woodcreeper is talking out by using the technique described by deVos and upping the saturation of the cutout (or doing whatever other adjustment you wanted?
Posted 60 months ago.
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The problem I always have with this technique is getting a "line" around the thing I've cutout. Woodcreeper's technique is nice because the difference between the layers is smaller so you don't get an artificial border between the thing you cutout and the background. However, for a true color-in on a desaturated background, like deVos is talking about I'd be interested in hearing people's techniques to eliminate that artificial-looking border. Sometimes I end up using a layer mask and painting around the edges with a brush on flow < 100%, but even then it's hard to get a natural look sometimes. Depends on the subject.
Posted 60 months ago.
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As drlynch points out, there are many ways to skin a cat. I like using layers of images so I can alternately blur backgrounds, change the overlay properties, etc. This morning I used the simple method of just selecting the area I wanted to remain in color, then desaturating the surrounding area. That image is here
Posted 60 months ago.
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the easiest way to not have that hard edge is to feather the selection by 2-5 pixels.
also woodcreeper you should try using the magnetic lasso (click when it won't stick where you want it to) and then Create Mask-->Reveal Selection.
Posted 60 months ago.
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Hi everyone, I'm new here, but I thought I could share too.
I used a similar technique to bring the flower in this photo to the foreground. I tried not to overdo the effect as to keep it looking natural.
Using a technique similar to woodcreeper's (in Photoshop) I used the pen tool to create a path around the flower. After duplicating the layer and masking out the background I reduced the brightness and saturation of the background layer. I then applied a Gaussian blur of 3 pixels to the image mask to make the transition between the layers a bit less harsh.
I've also placed a note on the image where I had to remove a stray leaf from passing in front of the subject of the photo. I did it rather quickly so, if you look closely, you can see where the leaf originally passed. Check out the note for more information.
Posted 60 months ago.
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Not a tough path to cut, but I am a quick mask (alpha channel) kind of guy.
Posted 60 months ago.
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All of this is great. I agree first and foremost that there are a whole lot of ways to skin a cat.
And I also agree with matt.ohara about both feathering the selection and using the magnetic lasso.
I threw this together in like 10 minutes using first the lasso and then going back and doing minute corrections with the standard selection tool. A quick feather and then an applied mask, and BOOM, we're off to the races.
Posted 59 months ago.
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B e t h, one way I've found of reducing the sharp border effect is select the cutout zone by whatever means (magnetic lasso, selective color selection, whatever), then create a mask, erase out extraneous areas (this is particularly useful with the selective color selection method) and then apply a blurring filter to the mask. This makes the translation softer. Then you can either turn the cutout or backgroun b&w directly on the image or create a separate layer via copy from the selection, which I find a better method. If you see parts of the selection disturbing the overall effect, you can then switch to the copy layer and work on that.
Posted 59 months ago.
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My first attempt:
I wanted to refer back to this thread when doing it, but the server was down. :)
So this is just a quick hack in Photoshop - I duplicated the image, desaturated the bottommost layer and erased the bits from the top layer that I didn't want. It needs some fringing removed, but that's a subject for another thread...
Posted 59 months ago.
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Simes, with such a uniformely colored subject, you can simply use select -> color range -> sampled colors and sample for the organge. There's a checkbox somewhere for contiguos, if you uncheck that, it selects the sample color everywhere. Then you can create a layer with the selection, leave it colored and desaturate the background layer to your heart's content. It's what I did with this photo:
Posted 59 months ago.
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Wow. That would have saved me a good hour of squinting. :)
Posted 59 months ago.
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Fantastic.
Posted 59 months ago.
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I know this is an old thread, but it's resulted in some neat effects on some new photographs of mine. I was a bit sloppy in the execution, but hopefully that will improve.
I feel like it's a technique that I need to be careful to use sparingly, because it's so dramatic and fun. But in both these cases I think it works because it clarifies the meaning of the pictures.
Thanks! I had a lot of fun.
Posted 54 months ago.
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i just did my first of these:
Posted 54 months ago.
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Some nice images in this thread. Here's one of mine, done in The GIMP, that made all the difference to a rather busy photograph.
Posted 54 months ago.
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Here's one I did in Photoshop. I saturated the grass, I took the colour out of the grain bins and sky and came up with this.
Since it was an overcast day anyway, it made the process much easier.
Posted 54 months ago.
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here's one of mine:
Posted 54 months ago.
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I love playing with shots like this. Of the ones I've done so far, these three are my favorites:
Posted 54 months ago.
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Here is my first try (made with Photoshop):
Posted 54 months ago.
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Saw the tutorial, had to have a go:
I used the GIMP, selecting the flower with the magic wand (selects contiguous areas of similar colours), copying into a new layer, then desaturating the original layer. Hooray! I have a new toy!
Posted 54 months ago.
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there's a whole group for this kind of stuff: flickr.com/groups/cutouts/
great stuff there....
Posted 54 months ago.
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In photoshop, the way to go is masks. Select your area by quickmask, lasso, marquee, or some combination, then add a new later (saturation or channel mixer) and set to black and white.
As always with layers, the beauty of it is that you can repeatedly change your mind once you see the results.
Desaturating NOT QUITE ALL THE WAY TO B&W is also very very effective at times.
Soft-edge masks are a good idea, your eye can't really see soft-edge color changes very well if they don't correspond to contrast changes (think watercolor over pencil drawing)
Posted 54 months ago.
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Special, I followed your tutorial for PSP and it was quite nice. I've been using the magic wand to choose areas and then inverting the selection to convert. However, the magic wand isn't always as easy as I'd like. This was a piece of cake! Thanks for sharing.
Posted 54 months ago.
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Quiplash [deleted] says:
Thanks Special! I use PhotoShop 5.5, but I found that zen's technique (found via you) works great for me...
;-)
Posted 54 months ago.
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Here's my attempt at it as well. I used the select color range method in photoshop and erased any extraneous colors that appeared.
Posted 54 months ago.
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This was my first attempt.
I did it back in January this year, and I am really pleased with how it turned out.
Posted 54 months ago.
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Cutouts can be fun :)
Posted 54 months ago.
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postbox is red in japan
Posted 54 months ago.
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In hue/saturation you can go to 'edit' and select 'blues' for example and turn the saturation down which will make all the blue in the picture grey.
You can then repeat this with the other colours available. It's a fast, simple technique which can be combined with others.
Posted 54 months ago.
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I discovered by accident this Father's Day that my dad's garage door shows up as a nice shade of gray (even though it's really a tan color); all I've done here is up the saturation level and contrast a bit.
Posted 54 months ago.
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Here's my first attempt using layers in Photoshop:
Posted 54 months ago.
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Here's one I did using adjustment layers, and select colour range. Selecting the red range had the interesting side effect of also selecting the browns of the chair and the shoes.
Posted 54 months ago.
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Here's mine:
Magnetic lasso is my friend.
Posted 54 months ago.
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Posted 54 months ago.
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Heres one I had done a while ago.
I love this technique. Can produce some great results.
Posted 54 months ago.
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There are some absolutely cracking photos in this thread. I don't have Photoshop but thought I'd try mucking around with the layers in Fireworks MX 2004 and this is my first ever attempt at the technique.
Posted 54 months ago.
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gabriel paulus [deleted] says:
This is my first attempt.
Posted 54 months ago.
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My first attempt with the Paint Shop Pro technique:
Posted 54 months ago.
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Maybe not the ideal subject for it, but here's my first try..
Posted 53 months ago.
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I've never done this before. This is my first try.
What do you think?
Posted 53 months ago.
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my first attempt:
Posted 53 months ago.
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duplicated layers
desaturated top layer
erased top layer over the red coats
Posted 53 months ago.
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A series of cutouts I just did:
   
   
And a desktop wallpaper I made out of one of the shots in the series:
Posted 53 months ago.
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My little addition to the growing list.
Always keep one of these arround to be safe. =)
Posted 53 months ago.
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These are my two favorites that I've done using this technique:
 
Posted 53 months ago.
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Second try:
Posted 53 months ago.
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Rather than using a desaturate which seems to give rather dull black & white, I did this modifying an initial colour selection as a mask for a monochromatic channel mix layer in photoshop (the majority is blue channel if I remember correctly).
Posted 53 months ago.
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MelinaTgirl [deleted] says:
I created a similar effect (color in bw) by using Corel PhotoPaint 9 and Microsoft Digital Image Pro 10. To enhance the object of interest I removed all items that were distracting. Finally I used Saturation, glow, and Antique effects to complete the image.
Posted 53 months ago.
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MelinaTGirl:
I'm not an administrator or anything but...
Could you please edit your post and replace the image with a more reasonably-sized version. That large image is screwing up the formatting of the whole thread (at least on my 1024-wide display).
Thanks.
[ed. done]
Posted 53 months ago.
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Wow I think I got it... just in time too! Using a tablet helps a lot... also not forgetting to use zoom for all of the fine editing. I also experimented a lot with brushes. Using the harder ones to get in the cracks and the soft ones for larger areas. The hardest point on this image was choosing what to reveal. I also found desaturate a little flat….
I found this article mentioned above quite useful Selective Color
BIRD
Posted 53 months ago.
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Done in Photoshop
Posted 53 months ago.
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Mine too.
Posted 52 months ago.
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And mine. (with Photoshop)
Posted 52 months ago.
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I really like this one, of my recent stuff, this is our drummer playing out in the desert, with his pink converse and bandana...
Posted 52 months ago.
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another shoot of my wife
Posted 52 months ago.
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My first attempt.
Posted 52 months ago.
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Found in Golden Gate Park: a cutout waiting to happen.
Posted 52 months ago.
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Here's an example of one I did by creating a duplicate layer and painting out the color.
For this image, I desaturated all the color channels except the blue, because I didn't want to deal with using the brush on all those small areas. Guess I was just being lazy!
Posted 52 months ago.
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Same Idea I just used a sample from the original in the mask...
Posted 52 months ago.
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gabriel paulus [deleted] says:
Posted 52 months ago.
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Here are 2 of my first attempts at a cutout. This is definately a good reason to buy a tablet. I cut the colour potion to a new layer and desaturated the rest.
Posted 52 months ago.
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Posted 52 months ago.
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Here is my attempt.
Posted 52 months ago.
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I would like to add something to this rather old topic. Interesting effects can be made if you take the cyan channel in portraits as the bw channel. You will get a very soft skin. In my example on purpose I did not brighten up the picture afterwards in order to make the eyes more outstanding. The eyecolor was unchanged. I will further mess around with that effect.
Posted 45 months ago.
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I already thought about doing this when I was taking the shot. Like the result:
Posted 44 months ago.
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another option you can play with us GIMP is to use the lasso tool, select the area you want to remain colored, then invert the selection, then use the image menu to convert the inverted selection to greyscale. I find it easier sometimes to use the lasso. Otherwise I use the layering method on the tutorial referenced earlier in the thread. If the image is complex though I use the layering method exclusively, especially if the colored areas is broken up by uncolored parts.....sorry dont have any right now I can use as examples.
Posted 36 months ago.
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here is my attempt
Posted 36 months ago.
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My first attempt. Used GIMP.
Posted 36 months ago.
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For selective color photos I find it alot easier to just do a color layer and b&w layer and erase the sections of the b&w layer you want color...no masking, lasso tools or any of that nonsense..And 10x faster.
Posted 36 months ago.
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Yes. I agree with XtwizX. Using a b/w layer and carefully erasing the areas where you want colors, is the technique I favor a lot too. Here's a recent cutout that I did...
Though I must say, to each his own. So I wouldn't say any particular technique is the best. Whatever works for you is the best! :)
Happy New Year, folks!
Posted 36 months ago.
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I did my 1st one the other day.
Posted 36 months ago.
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My Try
Originally posted 36 months ago.
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Anup Payyakkil edited this topic 36 months ago.
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MY problem is selecting...i guess i am just not very good at it, but i find the lasso tool nearly useless. i can never get an clean outline of anything.
Posted 35 months ago.
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The new selection tools in Adobe CS3 make the world a better place.
Posted 35 months ago.
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Thanks so much for this! I have tried it out a bit... Even if they're not good, I'm having a blast!
My first attempts are in a set:
www.flickr.com/photos/guppystormdotcom/sets/7215759446842...
Posted 35 months ago.
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Another way to select is using "Select Color" from Select. You can adjust the region using the fuzziness factor. You can always layer mask the portions that you didnt intend to select. Here is an example:
Posted 35 months ago.
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Hello all,
I posted two photos using patial black and white technique, the first one was taken "as is" using the special color mode feature of my canon s2 where you can select the color that you want keep :
And a second one where I used the filter proposed in Picasa : 
Posted 35 months ago.
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The method you describred in photoshop and PSP looks great, anyone ever done it to a black and white photo using watercolours, inks or acrylics?
Time consuming but fun also with equally interesting results. It was very popular in the early to mid 20th century to colourise black and whites. To get more of this authentic feel using software actually make your image black and white and paint in the colours using an overlay layer, some of the dark of the black and white comes through also and it is closer to the original methods using inks and paints. Of course the simple masking and erasing methods are equally valid and make for amazing images also, not better or worse, just a new style for the digital age :)
Posted 35 months ago.
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Another one
Posted 34 months ago.
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Here's mine...I just used the magnetic tool to select the lemon and then desaturate the photo to create the black and white look through one of the tutorials I found here...by copying the layer, going to unsharp mask, play around with the radius, etc...and changing the opacity level of the three or four layers I've created.
Posted 32 months ago.
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fast and simple
only for simple object..
just using picasa..focal b&w the area u want it to be color...and then collage the outputs..
never thought this one made it to explore!
Originally posted 32 months ago.
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empTV edited this topic 32 months ago.
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i downloaded the free version of paint shop like you suggested, and read through your tutorial.. but can't seem to get the hang of it still? any other tips or help?! :)
Posted 30 months ago.
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Here's my first attempt using PhotoshopCS3
Originally posted 30 months ago.
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rashundrayton edited this topic 30 months ago.
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Excellent. I really like partial B&W. Here's a couple of mine...very simple but effective...
Posted 30 months ago.
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This is my favorite effect. I made this one using the lasso tool, which is the more pain-staking method.
 -- from Diseuse - (?)
I don't remember what method I used to make this one, but I remember I didn't want to completely desaturate the background:
 -- from Diseuse - (?)
Used to illustrate patriotism on Memorial Day:
 -- from Diseuse - (?)
I used the technique on one of my mom's photos when she shot a wedding:
 -- from dcaffeinated - (?)
Posted 29 months ago.
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These are some of the most tasteful cutouts I've seen on flickr.
Posted 29 months ago.
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Here's one of mine:
The original:
It's not a true monochrome, as I left a little bit of color in it, so I guess I'd call it a "selective partial desaturation".
Photoshop (Elements 5) technique:
I cropped it down and removed some of the hot, blurred areas from the long exposure (areas illuminated by the fire, rather than the flash) using cloning and hue/sat adjustments. Then masked off the flames, duplicated the background layer, and grouped the copy to a levels adjustment layer to paste only the flames from the copy onto the background. I then used brightness/contrast and levels adjustment layers to increase contrast in the background layer, and a gradient map layer to convert it to monochrome. After experimenting a bit with leaving it at that or using a sepia tone, I decided to make another copy of the (original) background, and paste it on top of the lot with a reduced opacity to give it a hint of color. The blue jacket ended up coming through a lot stronger than anything else, so I ignored that and set the opacity for the rest of the image, grouped this copy with a levels adjustment layer and painted the jacket area with a light grey to reduce the opacity of it.
Posted 28 months ago.
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Im totally new to this group, i need help in turning a black and white picture of me wearing my sunglasses.I want everything to stay black and white, but only the sunglasses i want it in color?
I have the older verision of paint shop pro 5.0.
Can someone here give me advice on how to do that?
My email is fawadk@yahoo.com
Thanks.
Fk
Posted 6 months ago.
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