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It's also in here, which is the group for Year 2 - I think the same would apply for all shots posted to this group: www.flickr.com/groups/spnc/ although admittedly the instruction if was for, is not shown.
Mine was in response to #49:
"Read the street in front of you by saying to yourself everything that you see happening both near you and coming toward you (the text of the street), and the picture will present itself." - Joel Meyerowitz
Originally posted 8 months ago.
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Admanchester edited this topic 8 months ago.
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"Talk to strangers, let them take you to places." - Mark Alor Powell
SPNP Instruction #25
Originally posted 8 months ago.
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._Karl_. edited this topic 8 months ago.
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My answer seems to change with my mood!
To answer the question which shot I am proudest of, my answer would have to be 'Street Levitation' www.flickr.com/photos/larking-about/5722824249/in/set-721... Quite simply it is my first shot ever exhibited, so the thrill from that is enormous and I am chuffed I got floating cardboard the supernatural week !
The shot that I enjoy visually is
Originally posted 8 months ago.
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Larking About edited this topic 8 months ago.
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#42 "While walking the street constantly look behind yourself, the light is always different." - Trent Parke
London was pissing with rain so I took shelter, as thousands of other tourists did, in the National Gallery. Where you are not allowed to photograph, though this guard didn't really give me trouble. But the light was indeed different...
Originally posted 8 months ago.
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Caspar_Claasen edited this topic 8 months ago.
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Instruction#18: "Look for a window. Through a window, out of a window, or at the reflections on a window." - Arif Asci
Posted 8 months ago.
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Instruction #4: "Document some evidence of human ingenuity that would otherwise go unnoticed. Do it without including any humans in the picture" - Michael Wolf
I had to work really hard to make something out of this instruction. Maybe that's the reason why I ended up with a decent picture that is so different from what I usually do. This was the instruction that got me thinking and take a different perspektive. So it's still my favourite.
Originally posted 8 months ago.
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andreaffm edited this topic 8 months ago.
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I'm not sure "proudest" is right, I think I'm most fond of this. It was taken for #29: "Find an ambiguity that lies just below the surface." - Jesse Marlow.
Posted 8 months ago.
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My B-side for #49: "Read the street in front of you by saying to yourself everything that you see happening both near you and coming toward you (the text of the street) and the picture will present itself." - Joel Meyerowitz
Proudest because... I set myself a limit of an hour of shooting for this instruction, as I needed to get it done and dusted before holiday, and because I think it's very "me" *and* has a person in it!! Looking back, I think this should've been my A-side but at the time I needed to get on and pick one.
Originally posted 8 months ago.
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cjcrosland edited this topic 8 months ago.
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"On your knees please... Take a picture from floor level." Matt Stuart
Posted 8 months ago.
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Two left Feet
Instruction #32
"Follow lines of movement for a graphic journey" - David Gibson
This was my first entry to the SPNP, and it's my favourite as it changed the direction of my photography from previously wandering aimlessly to having clear goals.
Posted 8 months ago.
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Very difficult to say. I would choose Instruction#20 "The next shot may be very quiet and close"
www.flickr.com/photos/alphasoi/5436849046/
Posted 8 months ago.
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Sorry, better like this!
Instruction#20 "the next shot may be very quiet and close"
Posted 8 months ago.
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From #39, "don't ask, shoot fast".
Originally posted 8 months ago.
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watcher330 edited this topic 8 months ago.
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I found the interestingness of street photography from this photograph.
#3 "Take a bus. Do weekly shopping. Pop into a public loo." - Nils Jorgensen
Originally posted 8 months ago.
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Alfred Sim edited this topic 8 months ago.
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Instruction #37
Surrealism Now! - Gary Alexander
Originally posted 8 months ago.
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Monty May edited this topic 8 months ago.
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Instruction 18, Arif Asvci Look for a window....
Posted 8 months ago.
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''Pick a spot, stay there for an hour and see what unfolds" - Polly Braden #22
Posted 8 months ago.
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#44 Be joyful! Dance in the street. - Munem Wasif
Not exactly the street but you get the idea.
Posted 8 months ago.
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# 35
1. Nominate something you are going to go out and hunt for - the more abstract the better
2. Give yourself a time constraint
3. Go out and start work
4. Ask yourself why everything else that you encounter is so much more engaging than what you are hunting for
5. Ask yourself whether the time constraint is a useful tool
- Richard Wentworth
Posted 8 months ago.
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I'm not sure if it's the proudest one, but at least I remember this the most:
(it comes from instruction 40 : It might all come together for a moment and then just as quickly it is gone. - Narelle Autio.)
Originally posted 8 months ago.
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m_stella_n edited this topic 8 months ago.
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Instruction #37
Surrealism Now! - Gary Alexander
Posted 8 months ago.
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It's hard to say, but looking through the whole set, i see that I like most of all this picture, which was the response to the instruction #36 by Chrystophe Agou, "The distance between yourself and others should not be greater than your arm's length." - despite the fact that this shot was not chosen in authors's picks:
Posted 8 months ago.
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Silent Reflections
Instruction #10
"Photograph like an assassin; suddenly and silently" - Osamu Kanemura
Originally posted 8 months ago.
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Ambra Vernuccio edited this topic 8 months ago.
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I won't say proud, but I'm fond of this one. Instruction #12: "Look for the stars, even in broad daylight." - Markus Hartel
But the best ones are the ones we're going to take this week!
Posted 8 months ago.
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Forbidden Dreams
Instruction #30
"Remember Robert Capa's words: "If your pictures aren't good enough, your're not close enough". - Andrew Glickman
Originally posted 8 months ago.
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Ambra Vernuccio edited this topic 8 months ago.
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Instruction #38
"When you hit that wall of utter frustration while photographing the street, when you are beyond tired and just want to give up, keep on walking - for another hour, or until the light goes entirely. Often the best photographs come when you least expect them - when you are the most exhuasted, and the most emotionally vulnerable." - Alex Webb
Posted 8 months ago.
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That is a tough call. I am learning that I do not think in single images. But I would say this was an inspired take on the brief, Stephen's "Follow the Money", #24
And its B-side
Originally posted 8 months ago.
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StreetShooter45 edited this topic 8 months ago.
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I was really pleased with the composition and murky colour here, which summed up the depressing scene very well for me. This was shot in response to instruction number 38: "When you hit that wall of utter frustration while photographing the street, when you are beyond tired and just want to give up, keep on walking - for another hour, or until the light goes entirely. Often the best photographs come when you least expect them - when you are the most exhuasted, and the most emotionally vulnerable." - Alex Webb
Posted 8 months ago.
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Instruction #41: "The different shades of grey are are astonishing." - Boris Savelev
Originally posted 8 months ago.
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DValchev edited this topic 8 months ago.
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Instruction #28 was for me a joy. I found a location awash with inspiration. Usually I would associate fairgrounds with brash, noisy, colourful scenes but somehow this shot crept in. It has a sensitivity about it that I can't explain and a balance that satisfies my sense of composition. It also lends itself to a variety of interpretations.
The other one that kills me is the hugely photoshopped Week 27 when I took a series of shots on 1 April and put them together, then held my breath ready to be ripped apart by the street purists. It got my highest viewing and comments so I am not sure what that says.
www.flickr.com/photos/54731652@N03/5580321819/in/set-7215...
Posted 8 months ago.
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Instruction #40 "It might all come together for a moment and then just as quickly it is gone." - Narelle Autio
Posted 8 months ago.
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(Instruction #49)
"Read the street in front of you by saying to yourself everything that you see happening both near you and coming toward you (the text of the street) and the picture will present itself." - Joel Meyerowitz
Originally posted 8 months ago.
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M. Aviña edited this topic 8 months ago.
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This one, though it's pretty different to many of the others. There are others that I was also v v proud of, but this one excited me more!
"The real subject is yourself facing the world" - Thierry Girard
Posted 8 months ago.
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After much thought I am right back to week 3 - Instruction 3# Take a bus. Do the weekly shopping. Pop into a public loo - Nils Jorgensen
Originally posted 8 months ago.
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Dranny2010 edited this topic 8 months ago.
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My personal preferanse.... because of the way this came through...materializing from "nothing". I was shooting "headless" people in the dark - the light on the brigde falls down and the people walking over the bridge lost their heads to the dark... then the two girls come walking - their faces lit by their balloons...
I#26 "Make something from nothing".
Originally posted 8 months ago.
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olavn (Olav Njaastad) edited this topic 8 months ago.
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Instruction #32 "Follow lines of movement for a graphic journey" - David Gibson
Posted 8 months ago.
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Surrealism Now! - Gary Alexander
I went to a student fashion show, this was taken behind the scenes inbetween shows, I was very excited when I saw the image lining up infront of me, I was proud I didn't bottle it and took a couple of shots, waiting for her to turn round.
Posted 8 months ago.
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From #36 - Get Close!
Posted 8 months ago.
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how do you post in here?
Posted 8 months ago.
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Click on 'want to format your reply?' under the post box for picture options...
Posted 8 months ago.
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My favorite corner:
Instruction #39: "Don't ask. Shoot fast." - Gus Powell
Originally posted 8 months ago.
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T Silva edited this topic 8 months ago.
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This was my favourite personal shot. Just thought it summed up English summer events.
(Thanks for the technical assistance SM. Don't know why it is so small).
Originally posted 8 months ago.
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chris hopkins edited this topic 8 months ago.
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Instruction #45 - "See the characters but create your own plot" - Martin Kollar
Originally posted 8 months ago.
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Mark Russell123 edited this topic 8 months ago.
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Instruction #35 
Originally posted 8 months ago.
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merkincher edited this topic 8 months ago.
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Instruction 31-Look for clashing colours , the more lurid the better- Bang Byoung Sang
This was my most spontaneous shot.I love the colours and energy of it.
Posted 8 months ago.
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Loving the thread and amazed and delighted to see how little repetition there is which instructions inspired people most. Keep posting...
Posted 8 months ago.
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I don´t know if I ´m proud of it, but I think it´s one that I like the best
Instruction #41: "The different shades of grey are are astonishing." - Boris Savelev
Posted 8 months ago.
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Follow lines of movement for a graphic journey, #32
Posted 8 months ago.
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I was intrigued by Instruction #47 "The real subject is yourself facing the world" - Thierry Girard. Finding these women shading themselves from the sun reminded me of my often facing the world behind a camera.
Posted 8 months ago.
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For Instruction #46: "Make a picture that is funny and sad at the same time. A photograph that simultaneously evokes pathos, irony and humour."
Can't vouch for the halal-ness of what was going on with those two under the tarp...
Posted 8 months ago.
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Instruction #45
"See the characters but create your own plot" - Martin Kollar
Originally posted 8 months ago.
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fernando maquieira edited this topic 8 months ago.
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Instruction #44: "Be joyful! Dance in the street." - Munem Wasif
I was able to transfer on a picture exactly what i saw in this moment, thinking at the instruction
Posted 8 months ago.
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#38 "Often the best photographs come when you least expect them - when you are the most exhuasted, and the most emotionally vulnerable." - Alex Webb
Posted 8 months ago.
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Instruction #47
"The real subject is yourself facing the world" - Thierry Girard
Posted 8 months ago.
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Instruction #42
"While walking the street constantly look behind yourself, the light is always different." - Trent Parke
Originally posted 8 months ago.
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Joel Jefferies. edited this topic 8 months ago.
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This is a far from perfect outcome but I was pleased that, for once, I reacted quickly enough in a situation with no second chances.
Out on the Paseo de Marti
"Look for clashing colours - the more lurid the better." - Bang Byoung-Sang
VIEW ON BLACK
Originally posted 8 months ago.
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Chris O-R edited this topic 8 months ago.
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I was sitting waiting for my train + looked behind and this is what i got .i think it caught the brief well . #32.
Instruction #32. " Follow lines of movement for a grahic journey".
- David Gibson .
Originally posted 8 months ago.
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lolmac1 edited this topic 8 months ago.
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I decided to put this one in, although I had more success with others, this was the one when I knew I had the possibility of capturing something which fitted the brief -'Look for ambiguities..' It was week 29. I can divide my weeks into those when I was rushed, dispirited and desperate and those when it all worked well together and I really learned something.
.
Originally posted 8 months ago.
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jeanniejay edited this topic 8 months ago.
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This one, because I could never have guessed this would happen :)
Posted 8 months ago.
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#36 I'm pleased with this one because of the white nights mood, and elements of early Munch. Without the SPNP, I'd never have taken the shot, as I usually avoided having strangers in my photos. Strictly, of course, I should have been closer. An instruction I need to repeat, often... "The distance between yourself and others should not be greater than your arm's length." - Christophe Agou
Originally posted 8 months ago.
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johnpaddler edited this topic 8 months ago.
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About Instruction #30: "Remember Robert Capa's words: "If your pictures aren't good enough, your're not close enough". - Andrew Glickman
Posted 8 months ago.
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#17
Take pictures where you're not comfortable, where you feel exposed, threatened or morally on the wrong side. - Mirko Martin
Posted 8 months ago.
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'THE GOOD.........'
"When you have to shoot: shoot! Don't talk!" - Il Brutto
Make a picture containing The Good, The Bad and The Ugly - Jens Olof Lasthein
For instruction ' 7 '
Originally posted 8 months ago.
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wishphoto edited this topic 8 months ago.
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Instruction #23
"There is a crack in everything - that's how the light gets in..." from 'Anthem' by Leonard Cohen - Frederic Lezmi
i felt the magic the moment i pressed the shutter button
Posted 8 months ago.
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I can't decide either! This one was when I started to think about SP differently thanks to the project: www.flickr.com/photos/simonefisher/5901130736/in/set-7215....
But this is my personal, as I love shooting people combined with architecture and geometry.
#51 - 'Buildings are like humans and have their own character.' - Alexey Titarenko
Originally posted 8 months ago.
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SimoneFisher (catching up) edited this topic 8 months ago.
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Hard to choose, but I like this one because was fearless, controversial, quite strange ... and the only instruction I did on film
#9 "Play photographic poker. Look for a pair, two pairs, or three of a kind." - Siegfried Hansen
Posted 8 months ago.
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Instruction #19
"Expose the banalities of the new urban landscape" George Georgiou
I was incredibly proud that this was chosen as the Fringes exhibition flyer pic, and to see it on the wall at the show.
Posted 8 months ago.
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MaxHamish [deleted] says:
Quite fond of this from: "Wait for the rain, it makes shooting on the street easier and more interesting." - Martin Parr
[http://www.flickr.com/photos/53437399@N03/5369716956/in/photostream]
Posted 8 months ago.
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SPNP Instruction #33
"Unless the supernatural comes and plays a part and reveals itself, the picture is only as good and nice as information can be" - Raghu Rai.
Posted 8 months ago.
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# 26 - "If you're not sure it's a picture, shoot it anyway" - Carolyn Drake
[ ]
Posted 8 months ago.
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Instruction 41
"The different shades of grey are astonishing." - Boris Savelev
My favourite for the social comment as well as the match to the brief.
Originally posted 8 months ago.
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Simon five edited this topic 8 months ago.
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For instruction #34
"Get stuck in the thick of it" - Otto Snoek
I'd already done some similar on Oxford Street and got excited by being in the middle of a crowd. I like this one because there's a real 'up' feeling about it which you get on that street. Glad rags. It's like a fashion parade.
Posted 8 months ago.
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For 41, "The different shades of grey are astonishing"
Posted 8 months ago.
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SPNP Instruction #22 "Pick a spot, stay there for an hour and see what unfolds" - Polly Braden
This one because its the first time I have taken this kind of photograph, people don't usually feature much in my work. But now I have got really interested in street life in my home town of Fremantle.
Posted 8 months ago.
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This is not only the best picture I took for this project, it is perhaps th best picture I have ever taken.
and the absolute truth is if it werent for Martin Parr's "Wait For The Rain" instruction, there is no way I would have taken this shot. I would not have gone out on that rainy day to take pictures. I havent shot anything as good since.
Posted 8 months ago.
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This was taken for Instruction #34 "Get stuck in the thick of it" It sort of marked a turning point for me and gave me the impetus to be part of what I was photographing rather than skulking on the sidelines.
(No I didn't buy a cow but I certainly smelt like one).
Posted 8 months ago.
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Someone (watcher of course) told me I should be proud of this one... but I don't know why. Anyway, I liked this instruction a lot!
taken for #42 "While walking the street constantly look behind yourself, the light is always different." - Trent Parke
Posted 8 months ago.
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# 46 "Make a picture that is funny and sad at the same time. A photograph that simultaneously evokes pathos, irony and humour." - Jeff Mermelstein
Posted 8 months ago.
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#24 Follow the money
I chose this as my first entry I didn't rush to change to BW to see if it was better.
Originally posted 8 months ago.
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jopaulwallace edited this topic 8 months ago.
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www.flickr.com/photos/vickywolfe/5898562092
I can't seem to upload the photo! hence the link, I really enjoyed the expression of this child face and capturing her in mid air.
Originally posted 8 months ago.
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vicky1640 edited this topic 8 months ago.
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I am quite fond of this one - simply because I think I nailed the brief.
Instruction #31
"Look for clashing colours - the more lurid the better." - Bang Byoung-Sang
(To post photo in thread look above photo for "share" then "Grab the HTML/BBCode")
Originally posted 8 months ago.
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DomainSavour edited this topic 8 months ago.
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Instruction #19
"Expose the banalities of the new urban landscape" George Georgiou
Originally posted 8 months ago.
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Phill Jenkins edited this topic 8 months ago.
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This was taken for #49 "Read the street in front of you by saying to yourself everything that you see happening both near you and coming toward you (the text of the street), and the picture will present itself." - Joel Meyerowitz
Posted 8 months ago.
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www.flickr.com/photos/eoinwhelanphotography1/5477640380/i...
Posted 8 months ago.
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Instruction 24, Sweetie. She's earned her little treats.
Posted 8 months ago.
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Instruction #39 "Don't ask. Shoot fast" -Gus Powell.
Not because I think it's a great shot or anything (I know it's very purple), just because for me it was a moment when I first stood still faced the public and took the shot.
Posted 8 months ago.
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Instruction #44
"Be joyful! Dance in the street." - Munem Wasif. The light, the colours and the people were all a gift. Glad I caught it.
Posted 8 months ago.
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Instruction #45
"See the characters but create your own plot" - Martin Kollar
Posted 8 months ago.
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SPNP #34 : "Get stuck in the thick of it"
Originally posted 8 months ago.
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hans snoek edited this topic 8 months ago.
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#52: If you have talent, find your way.
Posted 8 months ago.
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SPNP #29:
"Find an ambiguity that lies just below the surface." - Jesse Marlow
Posted 8 months ago.
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"See the characters but create your own plot': Martin Kollar
Posted 8 months ago.
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I'm fond of this one because it is completely different from anything I would have done before the project. #43: "Make something from nothing." - Amani Willett
Posted 8 months ago.
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"If you have talent, find your own way" - Cristóbal Hara
This is my last submission for the SPNP #52
I was amazed at the ease these guys walked from one section to another as if they were on the ground.
It wasn't until I looked at the pictures later that it really hit me.
Posted 8 months ago.
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Street Photography Now Project; Instruction #30
""Remember Robert Capa's words: "If your pictures aren't good enough, your're not close enough"" - Andrew Glickman
Originally posted 8 months ago.
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Shin Noguchi edited this topic 8 months ago.
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Just start
"It might all come together for a moment and then just as quickly it is gone." - Narelle Autio
Instruction#40
Posted 8 months ago.
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#42 Blue Bag Boy
"While walking the street constantly look behind yourself, the light is always different." - Trent Parke
Posted 8 months ago.
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I only had 2 in the year that I'm vaguely proud of. This was one of the two and was in response to Instruction #27
"Bend the rules and play tricks with the mind; make documents of moments that have never existed." - Peter Funch
Posted 8 months ago.
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A little bit late but this is the one I was most pleased with:
#49: "Read the street in front of you by saying to yourself everything that you see happening both near you and coming toward you (the text of the street) and the picture will present itself." - Joel Meyerowitz
Posted 8 months ago.
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andrew.chambers [deleted] says:
"If you're not sure it's a picture, shoot it anyway"
About Instruction #26
"If you're not sure it's a picture, shoot it anyway" - Carolyn Drake
Posted 8 months ago.
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Not sure about proudest but it's definitiely the one I like the most and the one I would never have shot if I wasn't trying for the brief...
"Be joyful! Dance in the street." - Munem Wasif
Posted 8 months ago.
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