About Our cameras go to eleven
You see, most blokes, you know, will be shooting at ten. You're on ten here, all the way up, all the way up, all the way up, you're on ten on your camera. Where can you go from there? Where?
What we do is, if we need that extra push over the cliff, you know what we do?
Put it up to eleven.
Too saturated? Too much polarisation? Too much vignetting? Too wide angle? Too cute? Too ugly? Too distorted? There's no such thing - here's the group for when you turned it up to eleven; even if maybe you shouldn't have, and especially when it doesn't quite work out.
(With apologies to Rob Reiner)
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